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Alison",3952,"\u002FImageScaler.aspx?info=4&src=profile&sz=170&crop=y&name=portrait_3952_0835029c-22af-40c2-8c9f-6e67d99d0501.jpg","\u002Fillustrator\u002Falison-kerry",{"GermanArtist":211,"Title":219,"TitleEn":220,"Caption":221,"CaptionEn":220,"IntroEn":222,"InterviewDe":223,"VideoId":224,"Intro":225,"Clients":226,"ImgStudio":220,"ImgFeatured":220,"ImgStudioUrl":227,"WebsiteUrl":220,"Interview":228,"ImgIv1Url":229,"ImgIv2Url":220,"Favorites":220,"ImgPortraitDe":230,"CurrentPortraitCropUrl":230,"Id":231},"Zwischen Mythologie und Muster: Illustrationen mit Tiefe, Linie und saisonaler Farbpoesie.","","Alison lebt in Tennessee und verbindet Linienführung, Symbolik und digitale Texturen zu erzählstarken Bildwelten.","Based in East Tennessee, Alison excels at producing line-based illustrations that draw the eye into the subject and capture the essence of the project in a way that’s easy for the viewer to understand. She varies her style and colour palette according to the brief, producing everything from watercolour spot illustrations through to fully detailed scenery and pattern work for her clients.\r\n\r\nThere is a folk-art feel and a sense of whimsy to many of her artworks and she loves using symbolism alongside elements from nature and mythology as she tells her clients’ stories. With a BFA from the Fashion Institute of Technology, and a family background full of creativity, she is never short of ideas, nor the ability to execute them. \r\n\r\n\u003Ch3>Approach\u003C\u002Fh3>\r\nAlison’s images are born as traditional pencil sketches as she evaluates the compositional options. Then she develops a colour palette, influenced by the season, astrology and\u002For the requirements of the brief. She finalises each work digitally, incorporating real-world brushstrokes, textures and patterns to ground the image.\r\n\r\n\u003Ch3>Style\u003C\u002Fh3>\r\nBold colours, detailed linework and soft textures feature across Alison’s illustrations, though she varies the finish to suit her client’s needs. Her influences range from Arthur Rackham and Frank Frazetta through to Richard Scarry.","Was hat dich dazu gebracht, Illustratorin zu werden?\r\nIch habe es schon immer geliebt, Kunst zu machen. Ich hatte das Glück, in einer kreativen Familie aufzuwachsen und war ständig von Kunst umgeben. Ob Bastelarbeiten mit meiner Mutter oder Zeichentipps von meinem Vater – ich habe viel Zeit damit verbracht, Dinge zu gestalten, und empfand das immer als reine Freude.\r\nHast du Illustration studiert?\r\nJa, ich habe Illustration am Fashion Institute of Technology in New York City studiert.\r\nWo bist du aufgewachsen?\r\nIm Hudson Valley, etwa eineinhalb Stunden nördlich von New York City.\r\nHast du eine Kindheitserinnerung an Kunst, die dir besonders wichtig ist?\r\nKeine einzelne, aber viele schöne Erinnerungen – etwa, wie ich mit meinem Vater am Küchentisch gezeichnet habe oder wie wir gemeinsam lustige Figuren aus Sculpey-Knete gemacht haben.\r\nKannst du dich erinnern, wann du zum ersten Mal Kunst in einem kommerziellen Zusammenhang gesehen hast?\r\nIllustrierte Filmplakate.\r\nWo lebst du heute – und was hat dich dorthin geführt?\r\nNach einigen Stationen bin ich wieder ins Hudson Valley zurückgekehrt. Die Geburt meines Sohnes hat mir gezeigt, wie wichtig es ist, in der Nähe von Familie zu sein und ein stabiles Unterstützungsnetz zu haben. Es fühlt sich auch inspirierend an, wieder von den Dingen umgeben zu sein, die mich schon als Kind geprägt haben.\r\nWie sieht dein Atelier aus?\r\nMein Studio ist momentan im Aufbau (ich bin gerade im Umzugsprozess). Zurzeit arbeite ich dort, wo ich am meisten Inspiration und Tageslicht finde. Meine Ausstattung ist aktuell sehr reduziert: ein Skizzenblock, mein Laptop und mein sehr altes, aber zuverlässiges Cintiq-Tablet.\r\nWer oder was inspiriert dich am meisten?\r\nDie Natur war für mich immer die größte Inspirationsquelle. Sie bringt mich auf neue Ideen – und hilft gleichzeitig, mich zu erden und neu auszurichten.\r\nMit wem würdest du gern einmal zusammenarbeiten – egal ob lebend oder verstorben?\r\nMit Mary Blair.\r\nWie verbringst du einen freien Tag am liebsten?\r\nDraußen in der Natur – beim Wandern, Paddle-Boarding oder auf einem Spaziergang mit meinem Sohn.\r\nWas ist dein wertvollster Besitz – und warum?\r\nMein erstes Beanie Baby, Hoot. Ich habe ihn seit Jahrzehnten – und er war auf vielen Reisen mit dabei.\r\nWelche Themen liegen dir besonders am Herzen?\r\nDer Schutz von Wildtieren.\r\nSammelst du etwas?\r\nKleidung, Kinderbücher und Souvenir-Pennies.\r\nWas hörst du beim Arbeiten?\r\nQuerbeet – ein bisschen von allem.\r\nWas ist dein Lieblingspodcast?\r\nThe Magnus Archives.\r\nWelche Schallplatte hast du als erstes gekauft?\r\nRay of Light von Madonna.\r\nWer ist dein künstlerisches Vorbild?\r\nKlingt kitschig, aber: mein Vater.\r\nDein Design-Vorbild?\r\nZurzeit gefallen mir besonders die Plakatgestaltungen von Saul Bass.\r\nWas ist dein Lieblingsbuch?\r\nIch habe kein Allzeit-Lieblingsbuch, aber kürzlich habe ich Red Dragon von Thomas Harris gelesen – und konnte es nicht aus der Hand legen.\r\nWas war dein Lieblingsprojekt bisher?\r\nMein liebstes – und zugleich herausforderndstes – Projekt war mein erstes Kinderbuch: The Birthday Almanac. Es war das umfangreichste und zeitintensivste Projekt, das ich je umgesetzt habe – aber auch extrem lehrreich und erfüllend. Es gibt kaum etwas Schöneres, als die eigenen Illustrationen in einer Buchhandlung zu sehen.\r\nWas ist dein Lieblingszitat?\r\nEins, das ich mir in letzter Zeit oft sage: „Comparison is the thief of joy“ („Vergleiche rauben die Freude“).\r\nWelcher Film geht immer?\r\nLittle Miss Sunshine und Shaun of the Dead.\r\nWelche Serie hast du zuletzt durchgebingt?\r\nBetter Call Saul.\r\nWelche Ausstellung hast du zuletzt gesehen und geliebt?\r\nEs ist schon eine Weile her, dass ich eine Ausstellung besucht habe – aber ich freue mich darauf, das Storm King Art Center zu besuchen, sobald es wieder wärmer wird.\r\nWelches Konzert hast du zuletzt besucht?\r\nEin Bluegrass-Konzert einer lokalen Band in Tennessee – gemeinsam mit meiner Familie, vor ein paar Monaten.\r\nWohin würdest du gern reisen?\r\nZurzeit träume ich von einer Reise nach Irland.\r\nGibt es etwas völlig Zufälliges, worin du Expertin bist?\r\nIch kenne viele zufällige Tierfakten.\r\nWenn du für den Rest deines Lebens nur eine Art von Essen essen dürftest – was wäre das?\r\nRohes Fischgericht – Crudos, Sushi, Ceviche – egal in welcher Form.\r\nDu bist auf einer einsamen Insel ohne Strom oder Wasser – welche drei Kunstmaterialien nimmst du mit?\r\nEin tragbares Aquarellset, den größten Skizzenblock, den ich tragen kann, und ein Päckchen Stifte.\r\nWenn dir ein:e Kund:in ein Jahr finanzieren würde, um ohne Vorgaben ein Projekt umzusetzen – was würdest du gestalten?\r\nIch würde gern ein interaktives Kinderbuch schreiben und illustrieren – mit Fokus auf die lokale Tierwelt.\r\nGibt es eine Art Auftrag, den du bisher noch nicht umgesetzt hast, aber gerne machen würdest?\r\nTextilillustration.\r\nGab es eine Lektion, die du auf die harte Tour lernen musstest?\r\nAm besten gleich das erledigen, was einem am meisten widerstrebt. Ich habe oft die unangenehmsten Aufgaben aufgeschoben – was nur zu unnötigem Stress geführt hat.\r\nWie hat sich deine Arbeitsweise im Lauf der Zeit verändert?\r\nIch bin mit der Zeit entschiedener und klarer darin geworden, Ideen zu priorisieren. Früher habe ich Schwarz-Weiß bevorzugt – heute liebe ich kräftige Farben.\r\nWenn du keine Illustratorin wärst – was dann?\r\nIch würde gern mit Tieren arbeiten – etwa in einem Tierheim oder in der Umweltbildung für Kinder.\r\nWas ist das Schwierigste am Illustrator:innen-Beruf?\r\nStabilität, sich nicht mit anderen zu vergleichen, und der Umgang mit Social Media.\r\nWas ist der beste Ratschlag, den du je bekommen hast?\r\nDie Zeichenfläche spiegeln – sei es mit einem Spiegel oder digital. Das ist der schnellste Weg, Unausgewogenheiten zu erkennen.\r\nWelchen Karriereratschlag würdest du deinem jüngeren Ich geben?\r\nSei selbstbewusst mit deiner Arbeit – und hab keine Angst, dich zu zeigen. Ein bisschen „Fake it till you make it“ hilft.\r\nHast du einen Tipp für andere Illustrator:innen?\r\nEinfach zeichnen! Nicht zu sehr auf Ziele fixieren – lieber regelmäßig auftauchen und den Prozess genießen.",0,"Alison lebt in East Tennessee und ist auf linienbasierte Illustrationen spezialisiert, die den Blick in das Motiv hineinziehen und den Kern eines Projekts so erfassen, dass er für Betrachter unmittelbar verständlich wird. Sie passt Stil und Farbpalette jeweils dem Briefing an und erstellt für ihre Kunden alles von Aquarell-Spots bis hin zu detailreichen Landschaften und Mustern.\r\n\r\nViele ihrer Werke tragen eine Anmutung von Folk Art und haben eine spielerisch-poetische Note. Sie nutzt gern Symbolik und kombiniert diese mit Elementen aus Natur und Mythologie, um die Geschichten ihrer Auftraggeber zu erzählen. Alison hat einen BFA vom Fashion Institute of Technology und stammt aus einer durchweg kreativen Familie. Ideenmangel kennt sie nicht, und die Umsetzung liegt ihr ebenso.\r\n\r\nIhre Arbeiten beginnen als klassische Bleistiftskizzen, während sie verschiedene Kompositionsvarianten prüft. Anschließend entwickelt sie eine Farbpalette beeinflusst durch Jahreszeit, Astrologie und\u002Foder die Anforderungen des Projekts. Die Finalisierung erfolgt digital, wobei sie reale Pinselstrukturen, Texturen und Muster einarbeitet, um die Bilder zu verankern.\r\n\r\nKräftige Farben, detailreiche Linienführung und weiche Texturen prägen Alisons Stil, den sie je nach Auftrag variabel anpasst. Zu ihren Einflüssen zählen Arthur Rackham, Frank Frazetta und Richard Scarry.\r\n\r\nSprache: Englisch","The New York Times, Quarto Group, Tripsavvy, Investopedia, Simply Recipes, Better Homes & Gardens, The Spruce","\u002Fmedia\u002Fmisc\u002Fprofile\u002F720\u002F","What led you to become an illustrator? \r\nI’ve loved making art since I can remember. I was lucky enough to grow up with creative parents, and was always surrounded by art. Whether it was making crafts with my mom, or getting drawing tips from my dad, I spent a lot of time immersed in the joy of making things. \r\nDid you study illustration in college? \r\nI studied Illustration at the Fashion Institute of Technology in New York City. \r\nWhere did you grow up? \r\nI grew up in the Hudson Valley, about an hour and a half north of New York City.\r\nDo you have a childhood memory relating to art that you hold dear? \r\nNo specific memory, but I have many fond memories of drawing on our kitchen table with my dad and making fun characters out of Sculpey clay with my family. \r\nCan you remember when you first saw art used in a commercial context?\r\nIllustrated movie posters.\r\nWhere do you live now and what drew you there? \r\nAfter living in several different places, I've found my way back to the Hudson Valley. The birth of my son made me realize just how important it is to be near family and have a strong support system in place. It also feels inspiring to be back surrounded by the things that inspired me when I was young.  \r\nDescribe your studio for us \r\nMy studio is currently under construction (in the process of  moving), so for now it’s wherever I can find the most inspiration and natural light! My set up right now is pretty minimal: a sketchpad, my laptop, and my very old but reliable cintiq. \r\nWho or What is your biggest inspiration? \r\nNature has always been my greatest inspiration. It never fails to spark new ideas while also helping me to feel grounded and re-centered.\r\nIf you could collaborate with another artist or creative of any genre, living or dead, who would it be?\r\nMary Blair.\r\nWhat’s your favourite way to spend a day off?\r\nBeing in nature whether that be hiking, paddle boarding, or taking my son on a walk. \r\nWhat's your most prized possession and why?\r\nMy first beanie baby, Hoot. I’ve had him for decades and he’s traveled many places with me. \r\nWhat causes are you passionate about?\r\nWildlife conservation.\r\nDo you collect anything?  \r\nClothes, children’s books, and souvenir pennies. \r\nWhat do you listen to when you work? \r\nA little bit of everything. \r\nWhat's your favourite podcast?\r\nThe Magnus Archives.\r\nWhat is the first record you bought? \r\nMadonna’s Ray of Light.\r\nWho is your art hero? \r\nCheesy, but my Dad. \r\nWho is your design hero? \r\nRecently been loving Saul Bass’s poster designs \r\nWhat is your favourite book?\r\nI don’t have a favorite book of all time, but a book I recently read that I couldn’t put down was “Red Dragon” by Thomas Harris.\r\nWhat was your favourite assignment ever?\r\nMy favorite—and by far most challenging—assignment was illustrating my first children's book, 'The Birthday Almanac'. It was the largest and most time-consuming project I've ever tackled, but the experience was not only incredibly educational, it was also deeply rewarding. There’s truly nothing like the feeling of seeing your illustrations on the shelves of a local bookstore!\r\nWhat is your favourite quote?\r\nOne I’ve been repeating lately is, “Comparison is the thief of joy”.\r\nWhat movie can you watch over and over?\r\nLittle Miss Sunshine and Shaun of the Dead.\r\nWhat is the last show you binged?\r\nBetter Call Saul.\r\nWhat was the last exhibition you saw and loved?\r\nIt’s been a while since I’ve been to an art exhibit, but I’m looking forward to going to Storm King Art Center once the weather warms up! \r\nWhat was the last concert you went to?\r\nMy family and I watched a local bluegrass band play in Tennessee a few months ago. \r\nIf you could visit anywhere in the world, where would you go? \r\nRecently, I’ve been fantasising about a trip to Ireland. \r\nIs there any random thing you consider yourself an expert on?\r\nI have a pretty good knowledge of random animal facts.\r\nIf you could only any eat one type of food for the rest of your life, what would it be?\r\nAny form of raw fish: crudos, sushi, ceviches. \r\nYou are stranded on a desert island with no power or running water. What 3 art supplies would you take?\r\nMini portable watercolor set, sketchpad (largest one I can take) and a pack of pens.\r\nIf a client paid you enough money to take a year off and create whatever you want – an open brief - no constraints - what would you create?\r\nI’d love to help write and illustrate an interactive children’s book, something centered around local wildlife! \r\nIs there a type of job you haven't done yet, but would love to do?\r\nTextile illustration.\r\nIs there a work lesson you’ve had to learn the hard way?\r\nTackle what you’re dreading first! I often procrastinate on the things I was most anxious about in a project, and kept pushing them off for later. But that only led to unnecessary stress and never helped in the end.\r\nHow has your work or practice evolved over time?\r\nOver the years, I’ve become more decisive and confident in narrowing down my ideas. I’ve shifted from a preference for black and white to fully embracing the vibrancy of color.\r\nIf you were not an illustrator, what would you be? \r\nWould love to work with animals, maybe work at a local animal shelter or help educate children on wildlife. \r\nWhat is the most challenging part of being an illustrator?\r\nStability, not comparing yourself to others, social media. \r\nWhat’s the best advice you’ve ever been given? \r\nFlipping the canvas! Either using a mirror or flipping digitally, this is often the quickest way for me to see what looks unbalanced.\r\nWhat career advice would you give your younger self?\r\nBe confident in your work and don’t be afraid to put yourself out there. A little bit of “fake it til you make it” helps! \r\nDo you have any tips\u002Fadvice for other illustrators?\r\nJust draw! Don’t get so fixed on the goals, and instead just show up and enjoy the practice.","\u002Fmedia\u002Fmisc\u002Fscrapmail_images*422\u002F720\u002Fportfolio1.jpg","\u002Fmedia\u002Fmisc\u002Fprofile\u002F720\u002Fportrait_3952_0835029c-22af-40c2-8c9f-6e67d99d0501.jpg",582,[233,244,253,261,268,277,285,294,302,309,317,326,335,343,350,357,366,375,383,392,401,408,417,426,435,444,452,459,468,477,486,493,502,511,520,529,537,545,554,561,568,575,584,591,599,606,615,622,629,638,645,653,662,670,677,684,691,699,707,715,724,733,740],{"Galleries":234,"Rating":167,"Id":235,"ArtistName":213,"ArtistId":215,"Src":236,"FullSrc":237,"EmbedCode":220,"Animation":211,"VideoUrl":220,"Ref":237,"Width":238,"Height":239,"PortfolioUrl":217,"PortfolioName":240,"Alt":241,"HiresId":242,"StartedDate":243},[34],149845,"\u002Fhires\u002Fimage_126074.jpg","3952-149845.jpg",1356,1680,"AlisonKerry","Black and white illustration of butterfly, caterpillar, snail in jar by Alison 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