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Art","\u002Fpaper-art","Paper-Art",51,{"Description":145,"GermanDescription":145,"GermanUrl":146,"GermanLinkDescription":145,"Id":147},"Pattern","\u002Fpattern",88,{"Description":149,"GermanDescription":150,"GermanUrl":151,"GermanLinkDescription":152,"Id":153},"People","People & Portrait","\u002Fpeople-und-portrait","People-und-Portrait",8,{"Description":155,"GermanDescription":156,"GermanUrl":157,"GermanLinkDescription":156,"Id":158},"Photorealistic","Fotorealismus","\u002Ffotorealismus",45,{"Description":160,"GermanDescription":161,"GermanUrl":162,"GermanLinkDescription":161,"Id":163},"Picture Puzzle","Wimmelbild","\u002Fwimmelbild",85,{"Description":165,"GermanDescription":165,"GermanUrl":166,"GermanLinkDescription":165,"Id":167},"Pop","\u002Fpop",10,{"Description":169,"GermanDescription":170,"GermanUrl":171,"GermanLinkDescription":170,"Id":172},"Realistic","Realistisch","\u002Frealistisch",3,{"Description":174,"GermanDescription":175,"GermanUrl":176,"GermanLinkDescription":177,"Id":178},"Retro","Retro & Vintage","\u002Fretro-und-vintage","Retro-und-Vintage",23,{"Description":180,"GermanDescription":180,"GermanUrl":181,"GermanLinkDescription":182,"Id":183},"Sport & Fitness","\u002Fsport-und-fitness","Sport-und-Fitness",61,{"Description":185,"GermanDescription":186,"GermanUrl":187,"GermanLinkDescription":188,"Id":189},"Storyboard","Storyboard & Layout","\u002Fstoryboard-und-layout","Storyboard-und-Layout",14,{"Description":191,"GermanDescription":192,"GermanUrl":193,"GermanLinkDescription":192,"Id":194},"Street Art & Mural","Streetart","\u002Fstreetart",36,{"Description":196,"GermanDescription":197,"GermanUrl":198,"GermanLinkDescription":197,"Id":199},"Technical","Technik","\u002Ftechnik",48,{"Description":201,"GermanDescription":202,"GermanUrl":203,"GermanLinkDescription":202,"Id":204},"Vector","Vektor","\u002Fvektor",25,{"Description":206,"GermanDescription":207,"GermanUrl":208,"GermanLinkDescription":207,"Id":209},"Watercolor","Aquarell","\u002Faquarell",86,{"notFound":211,"artist":212,"profile":218,"images":234,"galleries":1047},false,{"Name":213,"ReverseName":214,"Id":215,"PortraitUrl":216,"PortfolioUrl":217},"Alxndra Cook","Cook, Alxndra",3999,"\u002FImageScaler.aspx?info=4&src=profile&sz=170&crop=y&name=portrait_3999_01fb568d-08ef-40fc-8d4c-277a1531e12a.jpg","\u002Fillustrator\u002Falxndra-cook",{"GermanArtist":211,"Title":219,"TitleEn":220,"Caption":221,"CaptionEn":222,"IntroEn":223,"InterviewDe":224,"VideoId":225,"Intro":226,"Clients":227,"ImgStudio":228,"ImgFeatured":228,"ImgStudioUrl":229,"WebsiteUrl":228,"Interview":230,"ImgIv1Url":231,"ImgIv2Url":228,"Favorites":228,"ImgPortraitDe":232,"CurrentPortraitCropUrl":232,"Id":233},"Zarte Linien, zurückhaltende Formen und subtile Bildräume","Delicate lines, understated forms, and subtle pictorial spaces","Japanisch inspirierte Bildwelten und Musterdesign werden zu einem neuen, inspirierenden Zusammenspiel.","Japanese-inspired imagery and pattern designs come together in a new, inspiring interplay.","By following this approach, Alxndra hits home with her client’s narrative or messaging in subtle, beguiling, emotive ways. Like the art itself, she is always open to ideas, attentive to a client’s needs and friendly and fun to work with, from mid-grade book illustration to fashion, editorial, travel and more.\r\n\r\nAlxndra became an illustrator after studying in surface design at the London College of Fashion. Patterns and print making are part of her repertoire and there is a hint of magical surrealism in her work as well. This could be due to her love of myths and legends, particularly those arising from Japanese culture. Fashion, photography, music, reading, movies, mindfulness and travel all feed her creative muse.\r\n\r\n\u003Ch3>Approach\u003C\u002Fh3>\r\nAlxndra constantly collects images for inspiration, drawing on her iPad to develop imagery – typically using bespoke colour palettes refined for her illustration work. Artworks are finished digitally in Photoshop.\r\n\r\n\u003Ch3>Key software\u003C\u002Fh3>\r\nProcreate and Adobe Photoshop.\r\n\r\n\u003Ch3>Style\u003C\u002Fh3>\r\nContemporary, feminine, soft and subtle, the impact of Alxndra’s imagery comes as much through what you don’t see. Her style is rare and individual, and each image she creates has an atmosphere all its own.","Was hat dich dazu gebracht, Illustratorin zu werden – und hast du Illustration studiert?\r\nIch habe eigentlich Modetextilien am London College of Fashion studiert, bin aber nicht lange in der Modebranche geblieben. Mir wurde früh klar, dass es nicht das Richtige für mich war. Gegen Ende meines Studiums begann ich, ein Illustrationsportfolio aufzubauen, und etwa ein Jahr nach dem Abschluss wagte ich den Schritt in die freiberufliche Illustration. Zu dieser Zeit wurden Plattformen wie Instagram populär – das hat mir eine großartige Möglichkeit gegeben, meine Arbeiten einem breiteren Publikum zu zeigen. Ohne diese Plattform hätte ich vermutlich viel länger gebraucht, um Sichtbarkeit zu bekommen.\r\nWo bist du aufgewachsen?\r\nIch bin in London geboren, aber in Reading aufgewachsen. Sobald ich die Gelegenheit hatte, für das Studium zurück nach London zu ziehen, habe ich sie genutzt. Ich liebe die Energie der Stadt und den Zugang zu Museen und Galerien – das war für mich eine große Inspirationsquelle. London wirkte auf mich immer groß und ehrgeizig, und genau danach habe ich mich gesehnt.\r\nHast du eine Kindheitserinnerung ans Zeichnen oder an Kunst, die dir besonders wichtig ist?\r\nEs ist eher eine Geschichte, die meine Mutter gern erzählt: Als Kleinkind im Hochstuhl habe ich von meiner Großmutter (möge sie in Frieden ruhen) immer ein frisches Blatt Papier und einen Wachsmalstift bekommen. Meine Mutter glaubt, dass es ihre Mutter war, die den kreativen Funken in mir entfacht hat.\r\nWo lebst du heute – und wie ist es dort?\r\nIch lebe immer noch in London, seit dem Studium. Ich liebe es, alles direkt vor der Haustür zu haben – Restaurants, Live-Musik, Ausstellungen und mehr. Trotzdem plane ich, noch dieses Jahr nach Tokio zu ziehen. Ich war schon fünfmal in Japan, und Tokio fühlt sich für mich wie eine weitere lebendige Stadt an, die ich gern noch intensiver erleben möchte.\r\nWie sieht dein Atelier aus?\r\nMein Studio ist in meiner Londoner Wohnung. Ich habe den Esstisch durch einen riesigen Schreibtisch ersetzt, der mit Blick auf den Kanal steht – perfekt für sonnige Tage. Ich habe schon darüber nachgedacht, ein externes Studio zu mieten, aber ich liebe es zu sehr, von zu Hause aus zu arbeiten.\r\nWer oder was inspiriert dich am meisten?\r\nMeine Inspiration kommt von überall – Pinterest, Beobachtungen im Alltag, Bücher (Romane, Graphic Novels, Kinderbücher), Museen und Reisen. Mein Zuhause spiegelt das wider: Ich sammle Bücher und kleine Fundstücke von meinen Reisen und umgebe mich mit Dingen, die Kreativität auslösen.\r\nMit wem würdest du gern einmal zusammenarbeiten – egal ob lebend oder verstorben?\r\nEs gäbe viele, aber eine Zusammenarbeit mit Hayao Miyazaki oder David Bowie wäre unglaublich gewesen.\r\nWie verbringst du einen freien Tag am liebsten?\r\nWenn die Sonne scheint, starte ich langsam in den Tag – mit Tee, Frühstück und einer Folge meiner aktuellen Serie. Dann gehe ich ins Fitnessstudio, mache mich fertig und treffe meine beste Freundin – oder verbringe Zeit allein. Ich liebe Ausstellungen, Maniküre oder Nachmittage in japanischen Cafés mit Matcha, Kuchen und einem guten Buch.\r\nWelche Themen liegen dir besonders am Herzen?\r\nIch setze mich stark für Feminismus und Gleichberechtigung ein.\r\nLebst du auch im Alltag oder bei der Arbeit nachhaltig?\r\nIch achte konsequent auf Mülltrennung und arbeite von zu Hause, um meinen ökologischen Fußabdruck zu minimieren. Auch auf ein externes Studio verzichte ich bewusst, um nicht auf den Nahverkehr angewiesen zu sein und Londons Umweltbelastung nicht zu erhöhen.\r\nSammelst du etwas?\r\nJa! Fundstücke aus Japan, Bücher, Schuhe, Kleidung, Sonnenbrillen und Lippenstifte. Früher habe ich auch Schallplatten und Retro-Gaming-Artikel gesammelt. Mittlerweile versuche ich bewusster damit umzugehen, was ich mit nach Hause nehme – der Platz wird knapp! Maximalismus ist trotzdem mein Ding.\r\nWas hörst du beim Arbeiten?\r\nDas hängt von meiner Stimmung ab. Für Konzentration höre ich Lo-Fi oder Klavierstücke von Chad Lawson. Wenn ich Energie brauche, momentan viel K-Pop oder K-R&B. Auch Podcasts mag ich – besonders erzählerische wie Uncanny Japan oder Tales by Parcast. Weitere Empfehlungen: Not Past It, Lady Killers with Lucy Worsley, Maintenance Phase und Articles of Interest.\r\nWer ist dein künstlerisches Vorbild?\r\nIch bewundere viele – besonders Hayao Miyazaki, Takashi Murakami und David Bowie.\r\nWas ist dein Lieblingsbuch?\r\nDer Hobbit von J.R.R. Tolkien und Klara und die Sonne von Kazuo Ishiguro.\r\nWelcher Film geht immer?\r\nLabyrinth, Hocus Pocus, Das wandelnde Schloss, Die Braut des Prinzen und Blondinen bevorzugt – das sind meine absoluten Wohlfühlfilme.\r\nWelche Serie hast du zuletzt durchgebingt?\r\nVictoria auf Netflix – und aktuell verschlinge ich die zweite Staffel von Castlevania.\r\nWelche Ausstellung hat dich zuletzt begeistert?\r\nIch war Ende letzten Jahres in Japan unterwegs und habe in dieser Zeit weniger Ausstellungen in London besucht. Dafür war ich zum zweiten Mal im Studio-Ghibli-Museum und auch im Snoopy-Museum. Viele dieser Museen sind zwar stark auf Fotomotive ausgerichtet, aber ich liebe es, Originalskizzen zu sehen. Es hat etwas Magisches, einen Einblick in die frühen Arbeitsprozesse von Künstler:innen zu bekommen.\r\nWelches Konzert hast du zuletzt besucht?\r\nEin Live-Auftritt von Patrick Wolf mit Streichquartett in einer Kirche in East London. Es war wunderschön – ich habe geweint.\r\nWohin würdest du gern reisen?\r\nJapan ist immer meine erste Wahl, aber ich würde auch gern mehr von Asien und Italien sehen – Shanghai, Hongkong, Seoul und Florenz stehen auf meiner Liste.\r\nHast du ein verborgenes Talent oder besondere Kenntnisse?\r\nIch lerne gerade Japanisch und halte mich für eine gute Köchin – ich kann ohne Rezept leckere Gerichte zaubern!\r\nWenn du für den Rest deines Lebens nur eine Art von Essen essen dürftest – was wäre es?\r\nWahrscheinlich Sushi oder Pasta – davon würde ich nie genug bekommen.\r\nWenn dir ein:e Kund:in ein Jahr freigeben und es vollständig finanzieren würde – was würdest du in dieser Zeit schaffen wollen?\r\nGanz klar: Ich würde eine Graphic Novel umsetzen. Ich habe bereits zwei kleinere Projekte realisiert und ein paar Kurzgeschichten im Eigenverlag veröffentlicht. Aber mein Traum ist es, ein längeres Werk anzugehen. Bisher war das schwer mit Aufträgen zu vereinbaren – ein Jahr volle Konzentration wäre ein Traum.\r\nGibt es eine Art Projekt, die du noch nie gemacht hast, aber gern umsetzen würdest?\r\nJa! Ich würde gern Buchcover gestalten, Etiketten für alkoholische oder alkoholfreie Getränke – etwa für ein Bioweingut –, etwas für ein Modehaus oder Illustrationen für eine Parfüm-Kampagne. Die Liste ist ehrlich gesagt endlos.\r\nWie hat sich deine Arbeitsweise im Lauf der Zeit verändert?\r\nMeine Arbeit hat sich über die Jahre stark weiterentwickelt und ist heute kaum noch mit meinen Anfängen als Freelancerin vergleichbar. Früher habe ich viel traditionell gearbeitet – mit Finelinern und Mixed Media, oft für lustige Figuren und Printdesigns. Alles änderte sich, als ich mein erstes iPad kaufte und mit Procreate zu arbeiten begann. Da habe ich meinen Stil wirklich gefunden. In den letzten Jahren liegt mein Fokus eher auf Landschaften und Menschen. Ich kann mir ehrlich gesagt nicht vorstellen, wo ich heute wäre, hätte ich den Schritt zur digitalen Arbeit nicht gemacht.\r\nWas ist das Schwierigste am Illustrator:innen-Dasein?\r\nDie ruhigen Phasen zwischen Projekten und die Einsamkeit beim Arbeiten. Um motiviert zu bleiben, brauche ich oft kleine mentale Anfeuerungen.\r\nWenn du keine Illustratorin wärst – was dann?\r\nEhrlich gesagt weiß ich das nicht genau. Ich habe Illustration nicht studiert – es war eher etwas, zu dem ich nach und nach gefunden habe. Aber ich könnte mir vorstellen, Schmuckdesignerin oder Mode-Stylistin zu sein.\r\nWas ist der beste Rat, den du je bekommen hast?\r\n„Überquere die Brücke, wenn du dort ankommst.“ Und: Gib bei der Zeitplanung lieber mehr Puffer an, als du meinst zu brauchen – du wirst es dir selbst danken.\r\nWas würdest du deinem jüngeren Ich raten?\r\nKonzentrier dich auf deine eigenen Träume statt darauf, andere zu unterstützen. Vertrau deinem Bauchgefühl, geh Risiken ein und warte nicht auf Bestätigung – du kannst mehr, als du denkst.\r\nHast du einen Rat für angehende Illustrator:innen?\r\nVernetze dich mit anderen Illustrator:innen online – so hast du Menschen, die verstehen, was du durchmachst, und mit denen du Ideen austauschen kannst. Recherchiere außerdem, wie man bessere Kund:innen gewinnt. Plattformen wie AOI oder WIA sind dafür extrem hilfreich – und Podcasts sind ein guter Weg, um zu lernen und inspiriert zu bleiben.\r\nKannst du eine Playlist teilen?\r\nIch mache ständig neue Playlists – du kannst gern auf meinem Spotify-Account stöbern! Manche sagen, eine Playlist zu teilen sei wie ein Seelen-Striptease – aber mich stört das überhaupt nicht.",978,"Alxndra präsentiert in reduzierter Bildsprache und einem Funken atmosphärischer Erotik ganz reizende Szenen.\r\nKlare Linien, offenen Kompositionen und ausreichend Raum für eigene Interpretation.\r\nDie Illustratorin aus London hat einen eigenständigen, frischen Stil entwickelt, mit Einflüssen aus Anime und Manga, zugleich ist ihre Linienführung fein und reduziert. Häufig verzichtet sie auf Details, sodass ihre Kompositionen offen und großzügig wirken. Linien, Formen und Farben sind eher angedeutend als festgelegt und lassen den Betrachtenden Raum, die dargestellte Szene selbst zu komplettieren.\r\nMit dieser Arbeitsweise setzt Alxndra die erzählerischen Inhalte oder Botschaften ihrer Auftraggeber auf subtile und emotionale Weise um. Sie arbeitet aufmerksam und bringt gerne eigene Ideen mit ein, immer im Dialog mit ihren Kunden. Ihre Aufträge reichen von Kinder- und Jugendbüchern über Mode-, Editorial- und Reiseillustration und weiteren Lektüren.\r\nNach dem Studium im Bereich Surface Design am London College of Fashion entschied sie sich für eine Karriere als Illustratorin. Musterentwicklung und Drucktechniken gehören ebenso zu ihrem Repertoire wie Anklänge von magischem Surrealismus. Inspiriert wird ihre Arbeit unter anderem von Mythen und Legenden, insbesondere aus der japanischen Kultur. Einflüsse von Mode, Fotografie, Musik, Literatur, Film und Reisen prägen ihre Bildwelten.","Faber, Family Store, Halftime Music, Lomography, Nobrow, Oddfellows, Possum Creek Games ","","\u002Fmedia\u002Fmisc\u002Fprofile\u002F720\u002Fstudio_3999_76daec24-2eb4-4520-927a-11a780cf195d.jpg","What led you to become an illustrator and did you study illustration in college?\r\nI actually studied fashion textiles at the London College of Fashion. However, I didn’t stay in the fashion industry for long. I realized early on that it wasn’t the right fit for me. Toward the end of my degree, I started building an illustration portfolio and decided to take the plunge into freelance illustration about a year after graduating. Around that time, platforms like Instagram were gaining traction, which gave me an incredible opportunity to share my work with a broader audience. Without it, I think I would have struggled to gain exposure as quickly as I did.\r\nWhere did you grow up?\r\nI was born in London but grew up in Reading. As soon as I had the chance to move back to London for university, I did! I love the energy of the city and its endless access to museums and galleries, which were a big inspiration for me. It felt big and ambitious and I craved that growing up so close to it.\r\nDo you have a childhood memory of drawing or art that you hold dear?\r\nIt’s more of a story my mum loves to tell—when I was a toddler in a highchair, my grandmother (may she rest in peace), would always hand me a fresh piece of paper and a crayon to scribble with. My mum believes it was her mother who planted the seed for my creativity. \r\nWhere do you live now, and what’s it like?\r\nI’m still in London and have been since university. I love that everything is at my fingertips—restaurants, live music, exhibitions, and more. That said, I’m planning to move to Tokyo this year. I’ve visited Japan five times, and Tokyo feels like another vibrant city that I’d love to experience on a deeper level.\r\nCan you describe your studio for us?\r\nMy studio is in my London apartment. I swapped out a dining table for a massive desk overlooking my view of the canal—it’s perfect for sunny days. I’ve considered getting a separate studio, but I love the convenience of working from home too much to give it up.\r\nWho or what is your biggest inspiration?\r\nMy inspiration comes from everywhere—Pinterest, people-watching, books (fiction, graphic novels, and children’s books), museums, and travel. My home reflects this; I collect books and trinkets from my travels and surround myself with things that spark creativity.\r\nIf you could collaborate with any artist or creative, living or dead, who would it be?\r\nThere are so many, but a collaboration with Hayao Miyazaki or David Bowie would have been incredible!\r\nWhat’s your favourite way to spend a day off?\r\nIf it’s a sunny day, I’d start with a lazy morning—tea, breakfast, and an episode of a show I’m into. Then I’d hit the gym, get ready, and either meet my best friend or enjoy a solo date. I love visiting exhibitions, getting my nails done, or relaxing at a Japanese café with matcha, cake, and a good book.\r\nWhat causes are you passionate about?\r\nI’m deeply passionate about feminism and equal rights.\r\nDo you adopt any sustainable habits in your work or life?\r\nI recycle diligently and work from home to minimize my environmental footprint. I even skipped the idea of an external studio because I didn’t want to rely on transportation or add to London’s pollution.\r\nDo you collect anything?\r\nYes! Trinkets from Japan, books, shoes, clothes, sunglasses, and lipstick. I’ve also collected records and retro gaming items in the past. Lately, I’ve tried to be more mindful of what I bring home, as my space is filling up! Maximalist girlie here, hello!   \r\nWhat do you listen to when you work? \r\nIt depends on my mood. If I need focus, I listen to lo-fi or Chad Lawson’s piano pieces. For energy, it’s often K-pop or K-R&B at the moment. Podcasts are another go-to, especially ones with storytelling elements like Uncanny Japan or Tales by Parcast.  I’d also recommend Not Past It, Lady Killers with Lucy Worsley, Maintenance Phase, and Articles of Interest.\r\nWho is your art hero?\r\nI admire many people, but some standouts include Hayao Miyazaki, Takashi Murakami, and David Bowie.\r\nWhat’s your favourite book?\r\nThe Hobbit by J.R.R. Tolkien and Klara and the Sun by Kazuo Ishiguro are two favourites.\r\nWhat movie can you watch over and over?\r\nLabyrinth, Hocus Pocus, Howl’s Moving Castle, The Princess Bride, and Gentlemen Prefer Blondes are my go-to comfort films.\r\nWhat’s the last show you binged?\r\nVictoria on Netflix and now I am ravenously consuming the second season of Castlevania.\r\nWhat was the last exhibition you saw and loved?\r\nI’ve been slacking a bit on exhibitions in London since I was travelling in Japan at the end of last year, but while I was there, I visited the Studio Ghibli Museum (for the second time!) and the Snoopy Museum. I know a lot of these museums can be very 'photo-op' focussed, but honestly, I loved seeing all the original sketches. There’s just something so magical about peeking into an artist’s early process.\r\nWhat’s the last concert you attended?\r\nPatrick Wolf’s live performance with a string quartet in an East London church. It was absolutely beautiful—I cried.\r\nIf you could visit anywhere, where would it be?\r\nJapan is always my top pick, but I’d also love to explore more of Asia and Italy—Shanghai, Hong Kong, Seoul, and Florence are all on my list.\r\nDo you have any hidden talents or expertise?\r\nI’m studying Japanese and consider myself a good cook. I can whip up tasty meals without needing recipes?!\r\nIf you could eat one type of food forever, what would it be?\r\nProbably sushi, or pasta. I’d never tire of either.\r\nIf a client paid you enough money to take a year off and create whatever you want and brief no constraints what would you create to deliver?\r\nOh, that’s a no-brainer—I’d create a graphic novel! I’ve made two smaller ones and self-published a handful of short stories, but it’s always been a big dream of mine to tackle something much longer. The challenge has always been balancing it with other work, so having a fully paid year to focus on just that? Absolute dream come true.\r\nIs there a type of job you haven’t done yet but would love to?\r\nYes! I’d love to design book covers, alcohol\u002Fnon-alcoholic beverage labels for example an organic wine company, something for a fashion house, or illustrations for a fancy perfume campaign. The list is endless honestly!\r\nHow has your work practice evolved over time?\r\nMy work has constantly evolved over the years, and it’s worlds apart from where I started as a freelancer. In the beginning, I worked mostly with traditional media, using fine-liners and mixed media to create fun little characters and print designs. Everything shifted when I bought my first iPad and started using Procreate—that’s when I really started to find my style. Over the past few years, my focus has moved towards landscapes and people, and I honestly can’t imagine where I’d be if I hadn’t made the switch to digital.\r\nWhat’s the most challenging part of being an illustrator?\r\nThe quiet periods between projects and the isolation of working alone can be tough. Staying motivated often requires frequent self pep-talks.\r\nIf you weren’t an illustrator, what would you be?\r\nHonestly, I’m not entirely sure. I didn’t study illustration, and it’s something I found my way to after trying a few other things. That said, I could see myself working as a jewellery designer or maybe even a fashion stylist.\r\nWhat’s the best advice you’ve ever been given?\r\n“Cross that bridge when you come to it.” Also, always suggest a longer timeline than you think you’ll need—you’ll thank yourself later.\r\nWhat advice would you give your younger self?\r\nFocus on your own dreams instead of boosting others. Trust your gut, take risks, and don’t wait for validation—you’re more capable than you think.\r\nAny advice for aspiring illustrators?\r\nMake friends with other illustrators online via socials so you have trustworthy friends who understand what you're going through and can bounce ideas off of. Also, do your research on how to attract better clients. Platforms like the AOI or WIA are invaluable, and podcasts are a great way to learn and stay inspired.\r\nCan you share a playlist?\r\nI’m a chronic playlist maker, so feel free to dive into my Spotify account and have a rummage! 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