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Mural","Streetart","\u002Fstreetart",36,{"Description":196,"GermanDescription":197,"GermanUrl":198,"GermanLinkDescription":197,"Id":199},"Technical","Technik","\u002Ftechnik",48,{"Description":201,"GermanDescription":202,"GermanUrl":203,"GermanLinkDescription":202,"Id":204},"Vector","Vektor","\u002Fvektor",25,{"Description":206,"GermanDescription":207,"GermanUrl":208,"GermanLinkDescription":207,"Id":209},"Watercolor","Aquarell","\u002Faquarell",86,{"notFound":211,"artist":212,"profile":218,"images":234,"galleries":1711},false,{"Name":213,"ReverseName":214,"Id":215,"PortraitUrl":216,"PortfolioUrl":217},"Davi Augusto","Augusto, Davi",3910,"\u002FImageScaler.aspx?info=4&src=profile&sz=170&crop=y&name=portrait_3910_637801335541714616.jpg","\u002Fillustrator\u002Fdavi-augusto",{"GermanArtist":211,"Title":219,"TitleEn":220,"Caption":221,"CaptionEn":222,"IntroEn":223,"InterviewDe":224,"VideoId":225,"Intro":226,"Clients":227,"ImgStudio":228,"ImgFeatured":228,"ImgStudioUrl":229,"WebsiteUrl":228,"Interview":230,"ImgIv1Url":231,"ImgIv2Url":228,"Favorites":228,"ImgPortraitDe":232,"CurrentPortraitCropUrl":232,"Id":233},"Grafische Illustrationen mit markanter Linienführung und ausgeprägtem Designverständnis","Vibrant and graphic, with strong line work and a fantastic design sensibility","Grafisch, lässige Illustrationen zwischen Informationsdesign, Editorial und charakterstarker Bildsprache","Graphic, lighthearted illustrations that combine information design, editorial style, and a distinctive visual language","Davi’s range is immense. From isometric maps to infographics and on to character-led editorial spreads, he’s an illustrator who can take any concept and push it to the next level. Clients love the way he picks up a brief and quickly progresses it, with a strong respect for deadlines.\r\n\r\nThe lively nature of his work is born from the vivacious city he lives in. São Paulo has always been a big inspiration with him – its graffiti, its architecture, its transport system and society itself. Davi is a multi-award-winning artist with two masters degrees in Digital and Editorial Design – from Pontifícia Universidade Católica de São Paulo and Istituto Europeo di Design respectively. \r\n \r\n\u003Ch3>Approach\u003C\u002Fh3>\r\nDavi’s design-led process focusses on the brief, research and semiotics relevant to the message. The colour and emotion of everyday life feed into each project as he uses Photoshop to create imagery in an array of styles.\r\n\r\n\u003Ch3>Style\u003C\u002Fh3>\r\nOn first impression, Davi’s artwork is graphic and contemporary with a vector-like feel to it. However, he is extremely versatile and often conjures an organic look with pencil, ink and watercolour finishes.\r\n\r\n\u003Ch3>Languages\u003C\u002Fh3>\r\nEnglish, Portuguese and Spanish.\r\n\r\n\u003Ch3>Awards\u003C\u002Fh3>\r\n2021 – Latin American Design Awards – Bronze\r\n2020 – Bienal Latino Americana de Illustración – Finalist\r\n2019 – Bienal Brasileira de Design Gráfico – Finalist\r\n2016 – Behance Appreciation Awards – Editorial\r\n2015 – Prêmio Abirl de Jornalismo","Was hat dich dazu gebracht, Illustrator zu werden?\r\nIch glaube, wie die meisten Künstler und Designer war ich ein neugieriges Kind, das gerne Dinge erschaffen hat. Als Teenager habe ich angefangen, kleine Illustrationsaufträge für T-Shirt-Marken anzunehmen, und habe in einem Custom-Motorrad-Shop gearbeitet, wo ich bei den Entwürfen geholfen habe. Damals habe ich auch einige meiner Arbeiten im Internet veröffentlicht, bis einige Redakteure meine Arbeiten entdeckt und mochten – und heute bin ich immer noch dabei.\r\nHast du Illustration an der Hochschule studiert?\r\nIch habe einen Abschluss in Digitalem Design, einen Aufbaustudiengang in Editorial Design (Istituto Europeo di Design) und einen Master-Abschluss in Design und Informationstechnologie (PUC-SP), aber als ich jung war, habe ich eigenständig Illustrationskurse besucht.\r\nWo bist du aufgewachsen?\r\nIch bin in der Innenstadt einer Industriestadt namens Osasco im Bundesstaat São Paulo aufgewachsen (kleine Anekdote: Heute ist Osasco als „Hot-Dog-Stadt“ bekannt, da es weltweit die Stadt mit dem zweitgrößten Hot-Dog-Verbrauch ist – seltsam, aber wahr!).\r\nHast du eine Kindheitserinnerung im Zusammenhang mit Kunst, die dir besonders am Herzen liegt?\r\nIch erinnere mich, dass es im Haus meiner Großmutter eine Enzyklopädie aus den 60er Jahren gab, die voller Illustrationen und Infografiken war. Das hat mich fasziniert.\r\nWo wohnst du jetzt und was hat dich dorthin gezogen?\r\nHeute lebe ich in São Paulo, im Stadtteil Perdizes. Es ist ein kleines Viertel, aber mit einer sehr reichen Kulturgeschichte. Berühmte Bands wie Os Mutantes sind dort entstanden, und mein Atelier liegt direkt neben dem Sesc Pompéia, einem der bedeutendsten architektonischen Werke der Stadt, das von Lina Bo Bardi entworfen wurde.\r\nBeschreibe uns doch bitte dein Atelier\r\nEs ist ein zweistöckiges Haus mit vielen Büchern und Pflanzen. Im Erdgeschoss gibt es einen Empfangsbereich mit einem vertikalen Garten und einem Besprechungsraum, und im zweiten Stock arbeite ich. Optisch hat es einen brutalistischen, tropischen Stil.\r\nHast du ein Atelier-Haustier?\r\nIn meinem Atelier stehen zwei Bäume und jede Menge Pflanzen – vielleicht sind sie ja meine Haustiere!\r\nWer oder was ist deine größte Inspiration?\r\nIn der Welt der Illustration haben mir die Arbeiten von Katsuhiro Otomo und Kako schon immer sehr gut gefallen. Aber im Leben gibt es meiner Meinung nach mehrere Menschen, die mich inspirieren.\r\nWenn du eine Finanzierung für einen Traum-Künstleraufenthalt bekämst, wohin würdest du gehen und was würdest du schaffen?\r\nIch denke, ich würde überallhin auf der Welt gehen, aber ich habe vor, bald nach Asien und Frankreich zu reisen.\r\nWenn du dein eigenes Epitaph in einem Satz schreiben müsstest, wie würde es lauten?\r\n „Nóis capota mas não breka“. Wörtlich übersetzt hieße das so viel wie: „Wir überschlagen uns, aber wir bremsen nicht.“ Dieser Spruch war häufig auf den Stoßstangen von Lastwagen zu lesen. Man kann ihn so interpretieren: Mach weiter, egal welche Probleme auftauchen.\r\nWie verbringst du deinen freien Tag am liebsten?\r\nIn meiner Freizeit bastele ich sehr gerne an meinem 1977er Maverick Grabber V8 herum und fahre damit.\r\nWas ist dein wertvollster Besitz und warum?\r\nMeine Gesundheit und die Gesundheit der Menschen, die ich liebe.\r\nWie trennst du dein Berufsleben von deinem Privatleben?\r\nAls Freiberufler ist das eine schwierige Frage. Im Grunde nehme ich die Dinge einfach so, wie sie kommen.\r\nHast du irgendwelche umweltbewussten Gewohnheiten, um nachhaltiger zu leben?\r\nIch habe schon immer einen recht moderaten Konsum von Gütern gehabt, vor allem bei Kleidung und Elektronik. (Wenn es möglich wäre, würde ich heute noch mein erstes Smartphone benutzen).\r\nSammelst du irgendetwas?\r\nJa, alte Design- und Illustrationsbücher sowie Zeitschriften.\r\nWas hörst du dir an, wenn du arbeitest?\r\nIch glaube, ich bin einer der wenigen Künstler, die beim Arbeiten keine Musik hören möchten. Wenn ich kreativ tätig bin, möchte ich mich so gut wie möglich auf die Arbeit konzentrieren.\r\nWas war die erste Platte, die du gekauft hast?\r\nIch glaube, es war das erste Gorillaz-Album.\r\nWas war dein liebster Auftrag überhaupt?\r\nLetztes Jahr habe ich an einem F1-Buch gearbeitet, das wirklich fantastisch war.\r\nWer ist dein künstlerisches Vorbild?\r\nAndy Warhol.\r\nWer ist dein Design-Vorbild?\r\nThe Designers Republic.\r\nWer ist dein musikalisches Vorbild?\r\nElvis.\r\nWenn du kein Illustrator wärst, was wärst du dann?\r\nWahrscheinlich etwas, das mit Kreativität oder visueller Gestaltung zu tun hat.\r\nHast du irgendwelche verborgenen Talente?\r\nIch glaube, ich habe ein gutes visuelles Gedächtnis, besonders für Gesichter.\r\nWas ist dein Lieblingsessen, wenn du dich trösten willst?\r\nHamburger mit Pommes und Cola.\r\nWelchen Film kannst du dir immer wieder ansehen?\r\nFilme von Tarantino und Jackie Chan.\r\nWelche Serie hast du zuletzt am Stück geschaut?\r\n„Kamen Rider“.\r\nWas war die letzte Ausstellung, die du gesehen hast und die dir gefallen hat?\r\nDie Hajime-Sorayama-Ausstellung.\r\nWas war das letzte Konzert, auf dem du warst?\r\nEine Blues-Brothers-Coverband.\r\nWas ist dein Lieblingsbuch?\r\nNicht gerade meine Lieblingsbücher, aber „Sapiens“ von Harari und „Mensch, allzu menschlich: Ein Buch für Freigeister“ von Nietzsche haben mich während meines Studiums sehr geprägt.\r\nWas ist dein Lieblingszitat?\r\n„Ich weiß, dass ich nichts weiß.“\r\nGibt es irgendein Thema, bei dem du dich als Experte betrachtest?\r\nIch beschäftige mich seit einiger Zeit mit Mechanik, bin aber noch weit davon entfernt, ein Experte auf diesem Gebiet zu sein.\r\nWas ist der beste Rat, den du je bekommen hast?\r\nNichts ändert sich, wenn du dich nicht änderst.\r\nWelchen Karriere-Rat würdest du deinem jüngeren Ich geben?\r\nGeh einfach weiter, es wird schon klappen.\r\nHast du Tipps oder Ratschläge für andere Illustratoren?\r\nWir lieben unsere Arbeit, aber manchmal sind Pausen notwendig.\r\n",0,"Grafisch, lebendig und mit markanter Linienführung arbeitet der brasilianische Illustrator Davi Augusto. Zu seinen Auftraggebern zählen zahlreiche international bekannte Marken. Seine Arbeitsweise verbindet gestalterische Präzision mit einem sicheren Gespür für zeitgenössisches Design.\r\n\r\nDavis gestalterisches Spektrum ist breit. Es umfasst isometrische Karten, Infografiken sowie Editorial-Illustrationen mit charakterbasierten Bildkonzepten. Er entwickelt unterschiedlichste Themen weiter und setzt Briefings effizient um. Auftraggeber schätzen seine strukturierte Arbeitsweise, seine schnelle Umsetzung und seine Termintreue. Inspiration findet Davi in seiner Heimatstadt São Paulo. Graffiti, Architektur, Verkehrssystem und das urbane Leben prägen seine visuelle Sprache. Er wurde mehrfach ausgezeichnet und verfügt über zwei Masterabschlüsse in Digital Design und Editorial Design von der Pontifícia Universidade Católica de São Paulo sowie dem Istituto Europeo di Design.\r\n\r\n  \u003Ch3>Arbeitsweise\u003C\u002Fh3>\r\nJedes Projekt beginnt mit einer intensiven Auseinandersetzung mit Briefing, Recherche und den für die Botschaft relevanten semiotischen Aspekten. Farben und die Atmosphäre des Alltags fließen in seine Arbeiten ein. Die Illustrationen entstehen überwiegend in Photoshop, wobei Davi je nach Aufgabe unterschiedliche Stilrichtungen entwickelt.\r\n\r\n  \u003Ch3>Stil\u003C\u002Fh3>\r\nAuf den ersten Blick wirken seine Illustrationen grafisch, zeitgenössisch und nahezu vektorbasiert. Gleichzeitig arbeitet er ausgesprochen vielseitig und erzielt je nach Projekt auch organische Bildwirkungen mit Bleistift-, Tusche- oder Aquarellanmutung.\r\n\r\n  \u003Ch3>Software\u003C\u002Fh3>\r\nPhotoshop\r\n\r\n \u003Ch3>Sprachen\u003C\u002Fh3>\r\nEnglisch, Portugiesisch, Spanisch","Adidas, ESPN, The Financial Times, Red Bull, Rolling Stone, Volkswagen, Wired, WMcCANN, WWF","","\u002Fmedia\u002Fmisc\u002Fprofile\u002F720\u002F","What led you to become an illustrator? \r\nI think that like most artists and designers, I was a curious child who liked to create things. As a teenager I started to take on some small illustration work for t-shirt brands and started working at a custom motorcycle shop helping with designs. At that time I also posted some work on the internet until some editors saw my work, liked it and I'm still at it today.\r\nDid you study illustration in college? \r\nI have a degree in Digital Design, a postgraduate degree in Editorial Design (Istituto Europeo di Design), and a master's degree in Design and Information Technology (PUC-SP), but when I was young I took independent illustration courses.\r\nWhere did you grow up? \r\nI grew up in the downtown of an industrial city called Osasco, in the state of São Paulo (fun fact: today Osasco is known as the hot-dog city, because it's the second city in the world where people most consume hot-dogs, weird but true!)\r\nDo you have a childhood memory relating to art that you hold dear? \r\nI remember that in my grandmother's house there was an encyclopaedia from the 60s that was full of illustrations and infographics. That fascinated me.\r\nWhere do you live now and what drew you there? \r\nToday I live in São Paulo, in the Perdizes neighborhood. It's a small neighborhood, but with a very rich cultural history. Famous bands like Os Mutantes were born there, and my studio is next to Sesc Pompéia, one of the city's main architectural works, designed by Lina Bo Bardi.\r\nDescribe your studio for us \r\nIt's a two-story house with lots of books and plants. On the ground floor there is a reception area with a vertical garden and meeting space, and on the second floor is where I carry out work. Visually it has a brutalist tropical style.\r\nDo you have a studio pet?\r\nMy studio has two trees and a bunch of plants, maybe they are my pets!\r\nWho or What is your biggest inspiration? \r\nIn the world of illustration, I've always really liked the work of Katsuhiro Otomo and Kako. But in life, I believe that several people inspire me.\r\nIf you were funded for a dream artist residency, where would you go, and what would you create?\r\nI think I will go anywhere in the world, but I intend to visit Asia and France soon.\r\nIf you had to write your own epitaph in one sentence, what would it say?\r\n“Nóis capota mas não breka”. In a direct translation it would be something like - \"We roll over but we don't brake\". It was a common phrase seen on truck bumpers. It can be interpreted as: keep going, no matter the problems.\r\nWhat’s your favourite way to spend a day off?\r\nI really enjoy tinkering and driving my 1977 Maverick Grabber  V8 when I have free time.\r\nWhat's your most prized possession and why?\r\nMy health and the health of the people I love.\r\nHow do you separate your work life from your home life?\r\nAs a freelancer, this is a tough one. I basically just figure things out as they come.\r\nDo you adopt any environmental habits to be more sustainable?\r\nI've always had a fairly moderate consumption of goods, mainly in clothing and electronics. (If it were possible, I'd still be using my first smartphone today).\r\nDo you collect anything?  \r\nYes, old design and illustration books and magazines.\r\nWhat do you listen to when you work?\r\nI think I'm one of the few artists who doesn't enjoy listening to music while working. When I'm producing, I like to focus as much as possible on the work.\r\nWhat is the first record you bought? \r\nI think it was the first Gorillaz album.\r\nWhat was your favourite assignment ever?\r\nLast year I worked on a F1 book that was really amazing.\r\nWho is your art hero? \r\nAndy Warhol.\r\nWho is your design hero? \r\nThe Designers Republic.\r\nWho is your music hero? \r\nElvis.\r\nIf you were not an illustrator, what would you be? \r\nProbably something related to creativity or visual production.\r\nHave you any hidden talents? \r\nI think I have a good visual memory, especially for faces.\r\nWhat is your go-to comfort food?\r\nHamburger with French Fries and Coke.\r\nWhat movie can you watch over and over?\r\nTarantino and Jackie Chan Movies.\r\nWhat is the last show you binged?\r\nKamen Rider.\r\nWhat was the last exhibition you saw and loved?\r\nThe Hajime Sorayama expo.\r\nWhat was the last concert you went to?\r\nBlues Brothers cover band.\r\nWhat is your favourite book?\r\nNot my favorite, but 'Sapiens' by Harari and 'Human, All Too Human: A Book for Free Spirits' by Nietzsche, impacted me a lot at college.\r\nWhat is your favourite quote?\r\n“I know that I know nothing”.\r\nIs there any random thing you consider yourself an expert on?\r\nI've been studying mechanics lately, but I'm far from being an expert in this.\r\nWhat’s the best advice you’ve ever been given? \r\nNothing changes if you don't change.\r\nWhat career advice would you give your younger self?\r\nKeep walking, it will work out.\r\nDo you have any tips\u002Fadvice for other illustrators?\r\nWe love our work, but sometimes breaks are 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