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Grace",3818,"\u002FImageScaler.aspx?info=4&src=profile&sz=170&crop=y&name=portrait_3818_637363890282954866.jpg","\u002Fillustrator\u002Fgrace-lanksbury",{"GermanArtist":211,"Title":219,"TitleEn":220,"Caption":221,"CaptionEn":222,"IntroEn":223,"InterviewDe":224,"VideoId":225,"Intro":226,"Clients":227,"ImgStudio":224,"ImgFeatured":224,"ImgStudioUrl":228,"WebsiteUrl":229,"Interview":230,"ImgIv1Url":231,"ImgIv2Url":224,"Favorites":224,"ImgPortraitDe":232,"CurrentPortraitCropUrl":232,"Id":233},"Limitierte Palette mit großer Wirkung","Limited palette with a big impact","Sie fängt das Gefühl von Zeit ein","She captures the mood of time","With a unique drawing style and a portfolio filled with bold and expressive artwork, Grace Lanksbury is bringing her own fresh approach to the world of illustration. For Grace, everything begins with her choice of colours, and from there she’ll craft the emotion and atmosphere of an image to expertly match the requirements of her brief.\r\nClients enjoy working with Grace because she’s flexible, full of ideas, and makes sure she brings her best to every project. A love of history, literature, classical music and psychology help to feed Grace with inspiring concepts, while some of her main visual influences come from the world of photography – including Alex Prager and William Eggleston. Based in London, she comes from a creative background and has a degree in Illustration from Arts University Bournemouth with first class honours.\r\n\r\nApproach\r\n\r\nBefore she starts drawing, Grace chooses a palette of up to four colours and this is what will set the tone for the image she creates. Working digitally using Procreate and Photoshop, she develops a composition by exploring different angles, and hones her drawing or painting style to suit the project.\r\n\r\nStyle\r\n\r\nBig, bold, dramatic and colourful, Grace’s style has a touch of naivety that adds to its charm. Narratives are enhanced by her use of facial expressions, textures and touches of detail, setting her illustrations apart from the rest.\r\n\r\nAwards\r\n\r\n2020 – Communication Arts Illustration Awards – Winner 2019 – Creative Conscience Awards – Illustration – Bronze","",0,"Mit ihrem einzigartigen Zeichenstil und einem Portfolio voller ausdrucksstarker Kunstwerke bringt Grace Lanksbury ihren eigenen frischen Ansatz in die Welt der Illustration. Für Grace beginnt alles mit der Wahl der Farben, und von dort aus gestaltet sie die Emotionen und die Atmosphäre eines Bildes so, dass es den Anforderungen ihres Auftrags entspricht.\r\nKunden arbeiten gerne mit Grace zusammen, weil sie flexibel und ideenreich ist und bei jedem Projekt ihr Bestes gibt. Ihre Liebe zu Geschichte, Literatur, klassischer Musik und Psychologie hilft Grace, inspirierende Konzepte zu entwickeln, während einige ihrer wichtigsten visuellen Einflüsse aus der Welt der Fotografie stammen - darunter Alex Prager und William Eggleston. Sie lebt in London und hat einen Abschluss in Illustration von der Arts University Bournemouth mit Auszeichnung.\r\n\r\nHerangehensweise\r\n\r\nBevor sie mit dem Zeichnen beginnt, wählt Grace eine Palette von bis zu vier Farben aus, die den Ton für das von ihr geschaffene Bild vorgeben. Bei der digitalen Arbeit mit Procreate und Photoshop entwickelt sie eine Komposition, indem sie verschiedene Blickwinkel erkundet und ihren Zeichen- oder Malstil an das jeweilige Projekt anpasst.\r\n\r\nAuszeichnungen\r\n2020 - Communication Arts Illustration Awards - Gewinnerin 2019 - Creative Conscience Awards - Illustration - Bronze","Hill+Knowlton Strategies, Popshot magazine, eyeLanksburyCreative and Frank, Bright and Abel","\u002Fmedia\u002Fmisc\u002Fprofile\u002F720\u002Fstudio_3818_637189472100224678.jpg","https:\u002F\u002Fwww.gracelanksbury.com\u002F","What led you to become an illustrator?\r\nMy whole family is creative, with my own mother also an illustrator I’ve been very interested in it from a young age. However it wasn’t until I did my foundation course a few years ago that I really found a passion for it and decided that I wanted it to become a career.\r\nDid you study illustration in college? \r\nArts University Bournemouth (AUB), Graduated 2019\r\nWhere did you grow up? \r\nLondon\r\nDo you have a childhood memory relating to drawing\u002Fart that you hold dear? \r\nAny activity I did as a child always revolves around art. One way my mum used to keep my younger sister and I occupied was by getting these giant rolls of paper from Ikea which would last months and we would roll it out on the kitchen floor and we’d be distracted for hours on end. But one time we decided to turn our bedroom into a jungle, so we cut out long strips off this roll and drew lots of jungle type things on there and then hung them up on our walls and bunk bed, it was such a clever idea.\r\nWhere do you live now and what drew you there? \r\nStill living in London, after moving away for uni I ended up really missing a big city and I find London so inspiring as it’s so diverse and there’s constantly something going on.\r\nDescribe your studio for us \r\nIt’s just a small room at the very top of the house, with some of my grandparents and great grandparents’ beautiful old furniture. A lovely desk and cabinet, and the walls are slowly being filled with my illustrations as I get new commissions. (Or sometimes my studio ends up being my bed)\r\nDo you have a studio pet?\r\nI have my two cats Pearl and Deano and a cockerpoo called Ruben.\r\nDescribe the view from your window \r\nI live on a main road so it’s just the street and the houses opposite, but recently some of the buildings have become cute little cafes where I would go to get some coffee when I needed a break.\r\nWho or What is your biggest inspiration? \r\nDefinitely my parents. A designer and an illustrator they really helped push my practice and watching them do so well in their own careers it gave me a really positive outlook on my own future and made me really excited to become an illustrator. \r\nHow do you get your ideas? \r\n I love reading stories about people’s lives, my work is often anchored around real people.\r\nDo you collect anything?  \r\nI always save things from really special days I’ve had with people, whether it’s tickets, notes, photographs. I have a huge photo album filled with all sorts of things from days I never want to forget.\r\nWhat are your interests outside of illustration?  \r\nI am really passionate about oil painting, still very creative but it’s very different to my stylised illustrations as they tend to be a lot more realistic.\r\nWhat is the first record you bought? \r\nI’m not entirely sure, it was probably a Now CD of all the top hits when I was a kid.\r\nWhat was your favourite assignment ever?\r\nIt was actually an assignment I had set myself. I made a book about some travelling I did in America for three months and it was a real turning point in my portfolio. I had the best time making it and would love to create more books like that.\r\n\r\nWhat would be your dream commission?\r\nI have a few… I would absolutely love to do work for magazines like The New Yorker or The Economist. But another dream would be to do something with branding, I would love to have my illustrations be ‘the face’ of a company or something, a big job but I think I would love it.\r\nWhat is the best use of illustration you have ever seen? \r\nI can’t think of anything specific but any illustration that communicates anything incredibly complex is always amazing to me. Whether it’s mental health, systemic racism, politics. All things that are quite complicated to talk about but I’ve seen some illustrators communicate issues in such a clear way with just one image. I think that really shows the power and importance of art in society.\r\nWhat makes a good client brief? \r\nSomething really clear and concise, also referencing any work of mine that a client particularly likes is incredibly helpful because I can then get an idea for the kind of feel\u002Fstyle they’re going for. In some cases, if a client has a very fixed idea of what they want sending over a little sketch, even if it’s just a doodle or stick figures can be really handy just so I can get an idea of what they’re imagining in their head.\r\nHow much of your work is hand drawn? \r\nI do all my work on my IPad with Procreate, but if I ever do anything hand drawn it tends to just be initial sketches.\r\nHow do you envisage illustration evolving? \r\nI see it becoming a lot more about making a comment, being used to help educate people more on complex issues rather than just being used for decoration. I can also see it feeding more into animation as well.\r\nWho is your art hero? \r\nNorman Rockwell, definitely was one of the reasons I fell in love with illustration\r\n\r\n\r\nIf you were not an illustrator, what would you be? \r\nActing was always my second option if I didn’t become an illustrator\r\nWhat’s the best advice you’ve ever been given? \r\nEverything happens for a reason, very cliche but it’s always got me through any difficult patches and I’ve always come out the other side with a new perspective, so it just helps me get on with life even if it’s a little tough for a bit.\r\nIf you could visit anywhere in the world, where would you go? \r\nJapan\r\nHave you any hidden talents? \r\nI used to do a lot of singing when I was at school, it’s something I was always really passionate about but I haven’t been doing it as much since I left. It was always a really good stress buster. \r\nHow would someone who knows you well describe you?\r\nVery relaxed, my friends have always told my how they don’t know how I manage to stay so cool in stressful situations. Inside I’m probably just as stressed as they are but I’ve always been good at managing it. I’ve also been told that I am a nice person and I like to believe that’s true.\r\nIf you could live anywhere, where would it be? \r\nAmsterdam\r\nIf you could travel back in time, who would be the one person you would want to meet and why? \r\nI would meet my Aunt (my mum’s sister), I never got the chance to meet her but I’ve always been told how similar I am to her and I think we would have got on really well. My mother and her sisters relationship was very similar to me and my sisters, which is very special.\r\nWhat themes or content in the world inspires you?\r\nA lot of my work is inspired by social issues. It always sparks something in me when I hear about things going on in the world and I’ve always seen art as being an amazing way to communicate these issues to a wider audience.\r\nHow do you keep on trend and up to date in our quickly changing industry?\r\nInstagram is definitely very useful when it comes to keeping up with trends. In my final year of uni it actually became very important for us all to have an Instagram account to help keep up with the changes in trends.\r\nWhat movie can you watch over and over?\r\nThe Iron Giant\r\nWhat do you listen to when you’re illustrating?\r\nAll kinds of things, but recently I’ve been really enjoying listening to Tame Impala’s album ‘Currents’. But sometimes you’ll find me listening to musicals, classical music, rap, some super cheesy songs too.\r\nWhat is the last show you binged?\r\nBreaking Bad was the last big show I binged, but now I’m currently watching modern family because I felt like something a little lighter\r\nWhat was the last exhibition you saw and loved?\r\nOlafur Eliasson’s ‘In real life’ at the Tate. \r\nWhat was the last concert you went to?\r\nRex Orange County. Although I could barely see him because I was stuck behind one of the tallest people I’ve ever seen! But it still sounded amazing.\r\nWhat is your favourite book?\r\nThe Goldfinch\r\nWhat do you do when you have creative block?\r\nI do what I call angry drawings. I just get out a piece of paper and usually some charcoal and just go crazy, drawing anything as fast as I can. I usually do about 10 or so and it really helps clear my head and come up with some new ideas. I’m not usually angry but it just helps me create things in a different way to my usual, controlled style of drawing. It also really helps breaking away from doing digital illustrations, I have to remember to be a little more free with my work and accept any little mistakes that might happen because sometimes it makes it better! Taking a different approach is a great way to refresh your brain.\r\nWhat is your favourite way to fill free time? Any hobbies?\r\nMy hobby always used to be drawing so it’s a strange feeling having it as a career and trying to find things to do when I need a break but if it’s nice out I’ll usually go for a walk, or I would make time to go and see my friends (pre covid)\r\nWhat is your go-to karaoke song?\r\nI could never do it alone but whenever I’ve done karaoke with my friends ABBA has always made an appearance.\r\nWhat is your favourite quote?\r\nNot necessarily a quote but ‘C’est la vie’ seems to be my go-to lately.\r\nWhat is your favourite ice cream flavour?\r\nBen and Jerry’s fudge brownie or coffee flavour\r\nIs there any random thing you consider yourself an expert on?\r\nI’ve always been fascinated with psychology and it makes me very good at reading people, which has definitely scared a few. And also Russian history used to be something I was randomly very knowledgeable about.\r\n","\u002Fmedia\u002Fmisc\u002Fscrapmail_images*281\u002F720\u002Fportfolio1.jpg","\u002Fmedia\u002Fmisc\u002Fprofile\u002F720\u002Fportrait_3818_637363890282954866.jpg",477,[235,246,253,262,269,276,283,290,297,304,311,319,326,333,340,347,354,363,370,377,384,392,399,406,413,420,427,434,443,450,457,464,473,481,490,499,506,513,520,528,535,542,549,556,563,570,577,586,593,600,608,616,623,630,638,645,652,659,666,673,680,687,694,701,708,715,722,729,736,745,752,760,767,774,781,789,796,803,810,819,828,835,842,849,856,863,870],{"Galleries":236,"Rating":167,"Id":237,"ArtistName":213,"ArtistId":215,"Src":238,"FullSrc":239,"EmbedCode":224,"Animation":211,"VideoUrl":224,"Ref":239,"Width":240,"Height":241,"PortfolioUrl":217,"PortfolioName":242,"Alt":243,"HiresId":244,"StartedDate":245},[50],124793,"\u002Fhires\u002Fimage_101055.jpg","3818-124793.jpg",661,907,"GraceLanksbury","Storyboard illustration of man life ",101055,"0001-01-01T00:00:00",{"Galleries":247,"Rating":167,"Id":248,"ArtistName":213,"ArtistId":215,"Src":249,"FullSrc":250,"EmbedCode":224,"Animation":211,"VideoUrl":224,"Ref":250,"Width":240,"Height":241,"PortfolioUrl":217,"PortfolioName":242,"Alt":251,"HiresId":252,"StartedDate":245},[50],124819,"\u002Fhires\u002Fimage_101081.jpg","3818-124819.jpg","Storyboard illustration for forget me not book ",101081,{"Galleries":254,"Rating":167,"Id":255,"ArtistName":213,"ArtistId":215,"Src":256,"FullSrc":257,"EmbedCode":224,"Animation":211,"VideoUrl":224,"Ref":257,"Width":258,"Height":259,"PortfolioUrl":217,"PortfolioName":242,"Alt":260,"HiresId":261,"StartedDate":245},[],124821,"\u002Fhires\u002Fimage_101083.jpg","3818-124821.jpg",604,850,"Silhouette of person holding red scarf in doorway by Grace Lanksbury",101083,{"Galleries":263,"Rating":167,"Id":264,"ArtistName":213,"ArtistId":215,"Src":265,"FullSrc":266,"EmbedCode":224,"Animation":211,"VideoUrl":224,"Ref":266,"Width":258,"Height":259,"PortfolioUrl":217,"PortfolioName":242,"Alt":267,"HiresId":268,"StartedDate":245},[],124822,"\u002Fhires\u002Fimage_101084.jpg","3818-124822.jpg","Stylized illustration of commuters on escalator and inside train by Grace Lanksbury",101084,{"Galleries":270,"Rating":167,"Id":271,"ArtistName":213,"ArtistId":215,"Src":272,"FullSrc":273,"EmbedCode":224,"Animation":211,"VideoUrl":224,"Ref":273,"Width":258,"Height":259,"PortfolioUrl":217,"PortfolioName":242,"Alt":274,"HiresId":275,"StartedDate":245},[],124823,"\u002Fhires\u002Fimage_101085.jpg","3818-124823.jpg","Three-panel artwork showing a woman's face fading into blue abstract swirls by Grace Lanksbury",101085,{"Galleries":277,"Rating":167,"Id":278,"ArtistName":213,"ArtistId":215,"Src":279,"FullSrc":280,"EmbedCode":224,"Animation":211,"VideoUrl":224,"Ref":280,"Width":258,"Height":259,"PortfolioUrl":217,"PortfolioName":242,"Alt":281,"HiresId":282,"StartedDate":245},[],124824,"\u002Fhires\u002Fimage_101086.jpg","3818-124824.jpg","Minimalist illustration of a hand holding a handbag, feet on stairs, and coats on a rack by Grace La",101086,{"Galleries":284,"Rating":167,"Id":285,"ArtistName":213,"ArtistId":215,"Src":286,"FullSrc":287,"EmbedCode":224,"Animation":211,"VideoUrl":224,"Ref":287,"Width":258,"Height":259,"PortfolioUrl":217,"PortfolioName":242,"Alt":288,"HiresId":289,"StartedDate":245},[],124826,"\u002Fhires\u002Fimage_101088.jpg","3818-124826.jpg","Illustration of somber figures with floral patterns by Grace Lanksbury",101088,{"Galleries":291,"Rating":167,"Id":292,"ArtistName":213,"ArtistId":215,"Src":293,"FullSrc":294,"EmbedCode":224,"Animation":211,"VideoUrl":224,"Ref":294,"Width":258,"Height":259,"PortfolioUrl":217,"PortfolioName":242,"Alt":295,"HiresId":296,"StartedDate":245},[],124827,"\u002Fhires\u002Fimage_101089.jpg","3818-124827.jpg","Digital painting of London bridge ",101089,{"Galleries":298,"Rating":167,"Id":299,"ArtistName":213,"ArtistId":215,"Src":300,"FullSrc":301,"EmbedCode":224,"Animation":211,"VideoUrl":224,"Ref":301,"Width":258,"Height":259,"PortfolioUrl":217,"PortfolioName":242,"Alt":302,"HiresId":303,"StartedDate":245},[],124828,"\u002Fhires\u002Fimage_101090.jpg","3818-124828.jpg","Person standing in rain with shadow on puddle by Grace Lanksbury",101090,{"Galleries":305,"Rating":167,"Id":306,"ArtistName":213,"ArtistId":215,"Src":307,"FullSrc":308,"EmbedCode":224,"Animation":211,"VideoUrl":224,"Ref":308,"Width":258,"Height":259,"PortfolioUrl":217,"PortfolioName":242,"Alt":309,"HiresId":310,"StartedDate":245},[],124829,"\u002Fhires\u002Fimage_101091.jpg","3818-124829.jpg","Digital painting of train traveling ",101091,{"Galleries":312,"Rating":167,"Id":313,"ArtistName":213,"ArtistId":215,"Src":314,"FullSrc":315,"EmbedCode":224,"Animation":211,"VideoUrl":224,"Ref":315,"Width":316,"Height":259,"PortfolioUrl":217,"PortfolioName":242,"Alt":317,"HiresId":318,"StartedDate":245},[],124830,"\u002Fhires\u002Fimage_101092.jpg","3818-124830.jpg",1199,"Digital art of night dreams 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