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Jan",3448,"\u002FImageScaler.aspx?info=3&src=deprofile&sz=170&crop=y&name=216-portrait.jpg","\u002Fillustrator\u002Fjan-meininghaus",{"GermanArtist":219,"Title":220,"TitleEn":221,"Caption":222,"CaptionEn":222,"IntroEn":223,"InterviewDe":224,"VideoId":225,"Intro":226,"Clients":227,"ImgStudio":228,"ImgFeatured":229,"ImgStudioUrl":230,"WebsiteUrl":231,"Interview":232,"ImgIv1Url":233,"ImgIv2Url":234,"Favorites":235,"ImgPortraitDe":236,"CurrentPortraitCropUrl":237,"Id":238},true,"Jan wurde in den 70ern geboren und hat seine Jugend mit Comics, BMX Rädern, Spielautomaten und Star Wars verbracht.","Jan was born in the 70s and spent his youth with comics, BMX bikes, slot machines and Star Wars.","Comic Noir powerful like a Mustang","Jan started his illustration career at the age of 15, first painting and designing poster motifs for local bands, magazines and fashion labels, in the beginning completely analog, later on a Mac with a graphics tablet. Jan taught himself most of it as an autodidact or just learned while doing. He only studied for one semester. But that was nothing for him. All too theretic and cerebral for his pragmatic DIY approach. Both in handmade, analog work, as they were still common until the late nineties, as well as in thematic return to the 80s (retro trend), 90s (e.g. graffiti), which he could still experience live, helps the many years of experience, on which Jan can fall back, just like the DIY \u002F punk rock background in fast and uncomplicated concepts and problem solutions. Doing instead of talking. His passion for comics, graffiti, underground music and movies inspired him in the following years of his freelance work and still provides the necessary verve, which keeps the illustrations energetic and lively. For some time now, his clients have also included advertising agencies, publishers and major brands, so that passion could become a career and the year 2021 represents something like his 30th professional anniversary as an illustrator\u002Fgraphic designer. Jan's work is created in a wide variety of techniques. Privately he works analog on canvas and has regular exhibitions. His noir comic inspired scenes are powerful illustrations. One thing his works almost all have in common - they are influenced by urban subcultures, fashion, music and movies.\r\n\r\n\u003Cstrong> Tools: Photoshop, Illustrator, InDesign \u003C\u002Fstrong>\r\n\r\nJan Meininghaus, Emmerich am Rhein (GER); Languages: German, English","Frage: Wie ist es dazu gekommen, dass Du Illustrator werden wolltest? Jan: Dass es in den kreativen Bereich geht, war eigentlich immer schon klar. Meine Mutter war selbst Künstlerin und Galeristin, das schlug sich wohl auch in der Erziehung nieder. Kunst,- und filmbegeistert sollte es zuerst Kamera oder Regie werden, aber nach den ersten Schritten war ziemlich schnell klar, dass Illustration in all ihrer Vielseitigkeit mir eher liegen würde. Frage: Hattest Du eine Ausbildung zum Illustrator? Jan: Eigentlich kaum. Ich habe zwar mal kurz studiert, das war aber leider wenig auf Illustration bezogen, so dass ich nach einem Semester abgebrochen und wie vorher als Autodidakt weitergemacht habe. Frage: Wo lebst Du? Jan: Ländlich, am Niederrhein. Frage: Bitte beschreibe Dein Atelier\u002FArbeitszimmer? Jan: Das ist immer schon in der Wohnung gewesen und das bleibt auch so. Ich kann mir nichts Besseres vorstellen als zu Hause zu arbeiten. Bei mir gibt es auch keine Trennung zwischen Privatleben und Arbeit. Die kreative Arbeit ist auch kein \"Beruf\" für mich, sondern pure Passion. Abends um 18h alles abzuschalten und ab nach Hause vors TV kann ich mir nicht vorstellen. Da zeichne ich lieber noch bis tief in die Nacht, wenn nicht für Kunden, dann eben privat. Im Arbeitszimmer gibt es immer einen Bereich mit Mac und dem ganzen Zubehör, sowie einen Bereich zum Zeichnen und Malen. Bei manchen Arbeiten gibt es mal in der einen Ecke zu tun, bei anderen dann wieder gegenüber. Damit bleibt es spannend! Frage: Was inspiriert Dich am meisten? Jan: Ich sehe mir sehr viel andere Illustration und Kunst an, verschlinge Artbooks, Zeitschriften und gehe zu Ausstellungen. Ich empfinde tiefen Respekt vor Kollegen, die mir voraus sind und versuche, soviel wie möglich von ihnen zu lernen. Darüber hinaus inspiriert auch mich das Leben und der Alltag, klar. Und meine Hobbies, Filme, Autos & Musik. Frage: Wie kommst Du auf die besten Ideen? Jan: Oft beim Ansehen von Filmen (besonders im Kino auf der großen Leinwand). Aber auch während langer Autofahrten, Flüge und beim Spazierengehen. Ist wahrscheinlich die Bewegung, die dann die Gedanken anregt?! Frage: Mit welcher Technik arbeitest Du? Jan: Ich versuche, möglichst offen zu bleiben und Vieles auszuprobieren. Digital und manuell hält sich ungefähr noch die Waage. Viele Motive sind mit Bleistift gezeichnet, vieles entsteht aber auch direkt digital mit dem Grafiktablett. Ausserdem arbeite ich gerne mit Pinsel und Tusche, Acryl auf Leinwand und hin und wieder auch in Aquarell. Die interessantesten Jobs sind immer die, bei denen sich möglichst viele Techniken analog und digital miteinander kombinieren lassen. \r\nFrage: Was war das tollste Projekt, das Du in letzter Zeit bearbeitet hast? Jan: Sehr spannend ist die Arbeit für ein junges Label, das Rockabilly-Klamotten macht, da ich hier einen Großteil des kreativen Bereichs tätig bin und mich somit voll ausleben kann. Modestrecken fotografieren, Shirt-Designs zeichnen, Kataloge gestalten, Webdesign, und vieles mehr. Unterm Strich könnte man aber sagen, dass das tollste Projekt der Job im Ganzen ist. Durch die Vielseitigkeit und die immer neuen Kunden und Herausforderungen ist das ganze so eine Art \"Lebens-Projekt\". Frage: Welchen Job\u002F Kampagne\u002F Illustration wolltest Du schon immer gern einmal machen? Jan: Schwierig.. so Kunden wie \"Nike\" oder \"Absolut\" fallen uns Illustratoren dann immer als Erstes ein, oder? Letzten Endes kommt es vielleicht eher auf die Umstände an. Großer Kunde, weltweite Veröffentlichung, kreative Freiheit, gutes Budget, etc ... klar :-) ...von wo auch immer das kommt. Frage: Wer sind Deine Illustrations-Vorbilder? Jan: Das ändert sich immer mal wieder. Früher waren das Fantasy-Künstler wie Giger oder Frazetta, dann Comiczeichner (Frank Miller, Todd Mc Farlane, Will Eisner), eine zeitlang spielte Graffiti mit seinen Protagonisten eine große Rolle in meinem Leben, durch meine FIlmleidenschaft interessiere ich mich für Legenden wie Syd Mead und Ralph McQuarrie. Dazu die großen Namen der amerikanischen Subkultur \u002F Popart \u002F Independent Kultur: Jim Phillips, Ed Roth, Robert Williams , Glenn Barr, Mel Ramos, ... eigentlich zuviele zum Aufzählen. Frage: Hast Du ein Skizzenbuch? Jan: Habe ich zwar, im Ernstfall sind es dann aber doch immer die Bierdeckel und Katalogrückseiten, die herhalten müssen. Frage: Was sind Deine Hobbies? Jan: Ich gehe sehr gerne ins Kino, auch wenn ich dazu nicht so oft komme wie ich gerne würde. Oder ich sehe mir die Filme dann später auf DVD an.\r\nIch bin vernarrt in Oldtimer und Muscle Cars. Ich fahre selbst einen '67er Mustang und einen '64er Galaxie, da gibt es auch immer was zu basteln oder zu reparieren. Frage: Wenn Du nicht Illustrator geworden wärest, was wärest Du dann? Jan: Vielleicht irgendwas in der Film-Branche. Aber dann wahrscheinlich nicht hier in Deutschland. Frage: Welche Persönlichkeit würdest Du gern einmal treffen? Jan: Auch wenn ich aus Ehrfurcht nichts rausbringen würde, wäre das wohl Steven Spielberg. Oder eben jemand realistischeres wie Tarantino oder James Hetfield, ob man mal bei einem Projekt zusammenarbeiten kann. Frage: Wenn Du in die Vergangenheit reisen könntest, in welche Zeit würdest Du zurückgehen? Jan: Fände ich sehr interessant. Mittelalter vielleicht, oder sogar das antike Rom oder in die Frühzeit. Vielleicht aber auch \"nur\" Süd-Kalifornien 1968 oder ein Elvis Konzert in den 50ern ... Frage: Welche Musik hörst Du am liebsten? Jan: Querbeet, wie man so schön sagt. Kaum neue Releases allerdings, eher Motown aus den 60ern und 70ern, Rockabilly, Rap oder Metal aus den 90ern, Independent, Nancy Sinatra, Southern Rock, Blues, Doo Wop, BigBeat\u002FElectro,... ziemlich gemischt eben. Frage: Was ist das Lustigste, das Du je gemacht hast? Jan: Ein echter Spassvogel bin ich nicht ... Wenn's nach meinen Freunden geht, war das wohl eine Kneipenprügelei mit Bela B. von den Ärzten. Frage: Würdest Du auch nach einem großen Lottogewinn weiter als Illustrator arbeiten? Jan: Auf jeden Fall!!! Frage: Sammelst Du etwas? Jan: Artbooks & Coffee Table Books, US Cars, DVDs. Frage: Hast Du ein Lieblingsspiel? Jan: Nö.",201,"Jan begann seine Illustratoren-Karriere im Alter von 15 Jahren und malte und gestaltete zunächst Postermotive für lokale Bands, Zeitschriften und Fashionlabels, anfangs noch komplett analog, später dann auch am Mac mit einem Grafiktablett. Jan hat sich das meiste als Autodidakt selbst beigebracht oder einfach beim Machen gelernt. Studiert hat er lediglich ein Semester. Das war aber nichts für ihn. Alls zu theretisch und verkopft für seinen pragmatischen DIY-Ansatz. Sowohl bei handgemachten, analogen Arbeiten, wie sie bis zu den späten Neunzigern noch gang und gäbe waren, wie auch bei thematischer Rückbesinnung auf die 80er (Retro-Trend), 90er (z.B. Graffiti), die er noch live miterleben konnte, hilft der langjähre Erfahrungsschatz, auf den Jan zurückgreifen kann, genau wie der DIY\u002FPunkrock-Background bei schnellen und unkomplizierten Konzepten und Problemlösungen. Machen statt Reden. Die Leidenschaft für Comics, Graffiti, Underground-Musik und Filme begeitete ihn in den folgenden Jahren seiner freiberuflichen Tätigkeit und sorgt bis heute für die nötige Verve, wodurch die Illustrationen energiegeladen und lebendig bleiben. Zu seinen Kunden zählen  seit geraumer Zeit  auch Werbeagenturen, Verlage und große Marken, so dass aus der Leidenschaft eine Karriere werden konnte und das Jahr 2021 sowas wie sein 30-jähriges Berufsjubiläum als Illustrator\u002FGrafiker darstellt. Jans Arbeiten entstehen in den verschiedensten Techniken. Privat arbeitet er analog auf Leinwand und hat regelmäßig Ausstellungen. Seine Noir Comic inspirierten Szenen sind kraftvolle Illustrationen. Eines haben seine Arbeiten fast alle gemein – sie sind beeinflusst von urbanen Subkulturen, Mode, Musik und Filmen. \r\n\r\n\u003Cstrong> Tools: Photoshop, Illustrator, InDesign \u003C\u002Fstrong>\r\n\r\nJan Meininghaus, Emmerich am Rhein (D); Sprachen: Deutsch, Englisch","Audi, Beck´ s, Freixenet, Smart, MTV, ZDF,  Ford, Javaanse Jongens","216-studio.jpg","216-featured.jpg","\u002Fmedia\u002Fmisc\u002Fdeprofile\u002F720\u002F216-studio.jpg","http:\u002F\u002Fwww.jan-meininghaus.de","Question: What drew you to illustration\u002Fdesign? Jan: It was quite obvious from the very beginning that I would go in the creative area. My mother was an artist and had a gallery, which influenced my education. Being enthusiastic about art and film, I firstly wanted to become director of photography or director, but after a few first steps I was convinced that illustration would be better for me because of its variety. Question: Do you have any formal design training? Jan: Not really. I did study for a short time, but it did not have much to do with illustration. So I quit after a semester and kept on working autodidactic. Question: Where do you live?Jan: After I lived in Essen for more than ten years, I recently moved to a smaller town close to the border to the Netherlands. Question: Can you describe your studio for me? Jan: It´s always been my apartment. I can´t think of anything better than working from home. I do not have a separation between work and private life. The creative work is not an occupation for me, but my passion. I can´t imagine, stopping at 6 o´clock in the evening and turning on the TV. I rather draw right through the night. If not for clients, then for myself. I have two parts in my working room- one for the Mac with it´s equipment and the other one for drawing and painting and anything I need for that. With some work I switch from side to side- that way things keep moving! Question: What is your biggest inspiration? Jan: I look a lot at other illustrations and art, read artbooks, magazines and go to exhibitions. I deeply respect other artists who are ahead of me and try to learn from them as much as I can. I am also inspired by everyday life and my hobbies like films, cars and music. Question: How do you get the best ideas? Jan: Mostly with watching films (especially on the big screen in the cinema) But also during long road trips, flights or walks. It must be the movement, that gets my thoughts going? Question: What technique do you use? I try to be open and test different things. Digital and analog is at a 50\u002F50 level. I draw many images and just as many are completely digital. Apart from that I like using the paintbrush and ink, acrylic on canvas and sometimes watercolor. The most interesting jobs are those where I can combine many analog and digital techniques. Question: Tell us about a favorite project you have recently completed. Jan: Much fun is the work for a young label of Rockabilly clothes, because I am quite free in the creative part and can act out completely: Shoot fashion editorials, design shirts and catalogues. Do the web design and much more. The greatest project is this entire profession. Because of its variety and new clients and challenges it´s something like a lifelong project. Question: What would be your dream job\u002FCommission? Jan: Difficult, maybe clients like Nike or \"Absolut\" come to any illustrators mind, right? In the end it depends on the circumstances: large client, worldwide publishing, creative freedom and a big budget- would be perfect, wherever it comes from. Question: Who are your illustration heroes? Jan: It changes once in a while. It used to be fantasy artists like Giger or Frazetta, then comic artists like Frank Miller, Todd Mc Farlane, Will Eisner, for a while graffitti and its artists played a big role in my life and because of my love for film I an interested in legends like Syd Mead and Ralph McQuarrie. In addition to that there are american subculture\u002Fpop art and independent artists like Jim Phillips, Ed Roth, Robert Williams , Glenn Barr, Mel Ramos,… too many to all be named. Question: Do you keep a sketchbook? Jan: I do, but in cases of emergency I use beer mats or catalogue pages. Question: What are your hobbies? Jan: I love going to the movies, even though I don´t get a chance as often as I would like to. Or I watch the movies later on on DVD. I am crazy about Oldtimers and Muscle Cars. I own a 67 Mustang and a 64 Galaxy. Always a lot to work on. Question: If you were not an illustrator, what would you be? Jan: I think something in the movie business. But probably not in Germany. Question: Who would you like to meet? Jan: Steven Spielberg, even though I would probably not be able to say a single word. Or maybe someone slightly more realistic like Quentin Tarrantino or James Hetfield to ask if we could do a project together. Question: If you could travel back in time, where would you go to? That would be a great thing to do! Middle Ages probably or the antique Rome or earlier than that. Or maybe \"just\" South California in 1968 or an Elvis concert in the 50´s. Question: What kind of music do you listen to? Jan: Motown from the 60´s and 70´s, Rockabilly, Rap or Metal from the 90´s, Independent, Nancy Sinatra, Southern Rock, Blues, Doo Wop, BigBeat\u002FElectro Question: What is the funniest thing you have ever done? Jan: I am not really funny. But according to my friends that would be my pub fight with Bela B. Question: If you won the lottery, would you still work as illustrator? Jan: Definitely! Question: Do you collect anything? Jan: Art books and Coffee Table Books, US Cars and DVDs. Question: Do you have a favorite game? Jan: Nope. 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