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Liam",3697,"\u002FImageScaler.aspx?info=4&src=profile&sz=170&crop=y&name=portrait_3697_636329713630601641.jpg","\u002Fillustrator\u002Fliam-brazier",{"GermanArtist":216,"Title":224,"TitleEn":225,"Caption":226,"CaptionEn":227,"IntroEn":228,"InterviewDe":229,"VideoId":230,"Intro":231,"Clients":232,"ImgStudio":233,"ImgFeatured":233,"ImgStudioUrl":234,"WebsiteUrl":235,"Interview":236,"ImgIv1Url":237,"ImgIv2Url":233,"Favorites":233,"ImgPortraitDe":238,"CurrentPortraitCropUrl":238,"Id":239},"Da sag noch einer etwas gegen Ecken und Kanten.","Somebody say something about corners and edges.","Der Mann mit dem digitalen Skalpell","The man with the digital scalpel","\u003Ch3>Training\u003C\u002Fh3>\r\nAfter completing a National Diploma in General Art & Design at Southend College of Art and Design, Liam specialised in illustration and completed a BA at the Kent Institute of Art and Design.\r\n\r\n\u003Ch3>Approach\u003C\u002Fh3>\r\nWhen he first started out, Liam would painstakingly cut each shape out with a scalpel, using different coloured papers to construct a final piece. Today, he has distilled this process down to a digital one, drawing and colouring his shapes in software. “I am also a fond of strong saturated colours, often using them to suggest depth. Overall each piece becomes a giant puzzle I create, and piece together, and see complete as a work,” he says.\r\n\r\n\u003Ch3>Styles\u003C\u002Fh3>\r\nLiam’s goal is to use shapes and colours to show the planes of an object, depicting three-dimensional forms on a two-dimensional surface. He tries to use as few shapes as possible in doing so. It is often likened to low poly art, but his intention is different. Using both his imagination and Adobe After Effects, Liam pushes the boundaries in both still images and animation.","FRAGE: Was hat Dich dazu bewogen, Illustrator zu werden? LIAM: Es waren sicherlich zum einen Teil die Leute, die mir sagten, dass ich in jungen Jahren schon recht geschickt im Zeichnen war, und zum anderen Teil die Tatsache, dass ich in jedem anderen Beruf völlig unzureichend war. Ich studierte Kunst und Design am College (in der Nähe meiner Heimatstadt), im dritten Jahr mit der Spezialisierung auf Illustration, bevor ich meinen BA-Abschluss an einer inzwischen nicht mehr existierenden Universität (hat nichts mit mir zu tun!) in Kent machte. FRAGE: Woher kommst Du ursprünglich? LIAM: Aus einer Stadt an der Themse-Mündung mit viel Seeluft für die Lungen. FRAGE: Wo lebst Du jetzt und was hat Dich dorthin gezogen? LIAM: Meine jetzige Frau und ich sind vor etwa acht Jahren nach London gezogen, vor allem, um ihrem Arbeitsplatz näher zu sein, aber auch, um der Enge der Kleinstadtmentalität zu entfliehen. London, und in der Tat viele Städte, haben eine Lebendigkeit und ein Leben, das schwer zu verbalisieren ist, aber man merkt es sehr stark, wenn es nicht da ist. FRAGE: Beschreib uns Dein Studio. LIAM: Ich arbeite von zu Hause aus, also im Allgemeinen in einer Reihe von kleinen Räumen. Meine Frau arbeitet an einigen Tagen in der Woche auch von zu Hause aus, so dass wir uns einen großen Schreibtisch teilen und eine Münze werfen, welche Musik gespielt wird. FRAGE. Wie würdest Du Deine Arbeit beschreiben: LIAM: Der Illustrationsstil, für den ich am bekanntesten bin, war eigentlich eine organische Weiterentwicklung meiner Studentenarbeiten aus farbigem Papier, die ich in den 90er Jahren gemacht habe. Im Nachhinein glaube ich, dass ich viel von Charles Sheelers Gemälden übernommen habe, letztendlich war ich nur ein Student, der versucht, mit einem extremen Budget Arbeiten zu produzieren, die ein Stapel farbiges Papier und ein Skalpell hergaben. FRAGE: Wie kommst  Du zu Deinen Ideen? LIAM: Ich bin ein Schwamm für die Massenmedien - ich meine, ich habe Grenzen, aber die Populärkultur ist schon meine Marmelade. Ob es sich nun um die Reaktion auf etwas Bekanntes oder um ein redaktionelles Thema handelt, ich versuche immer, etwas auf eine neue Art und Weise zu visualisieren. FRAGE: Sammeln Sie etwas? LIAM: Wahrscheinlich habe ich heute mehr Star Wars-Spielzeug als in den 80er Jahren. Mein junges Ich wäre eifersüchtig. FRAGE: Was sind Deine Interessen außerhalb der Illustration? LIAM: Das Gitarrenspiel hat mich während der gesamten Kunsthochschule (relativ) gesund gehalten, das ist sicher. Es ist ein Hobby, aber eines, das all die sonst so beschäftigten Teile meines Kopfes ausblendet. Ich bin auch ein autodidaktischer Animator. Was, weil ich es liebe, für mich wirklich eine natürliche Erweiterung der Illustration ist. FRAGE: Erzähle uns von einem Lieblingsprojekt, das Du kürzlich abgeschlossen haben. LIAM: Eine enge Freundin und ihr Partner sind erst kürzlich am Ende einer langen, äußerst beschwerlichen Reise angelangt, die sie mit der Eröffnung ihres ersten Restaurants abgeschlossen haben. Es war mir eine große Ehre, mich mit einem kleinen Beitrag zu beteiligen und einige Kunstwerke für den Speisesaal zur Verfügung zu stellen. FRAGE: Was wäre DeinTraumjob? LIAM: Ich bin ein großer Star Wars- und Disney Parks-Fan. Ich glaube, mein Kopf würde geradezu explodieren, während ich durch Disney World oder ähnliches laufe und Skizzen mache. Auch der Prozess der Filmproduktion fasziniert mich zutiefst. Und obwohl ich in keiner Weise ein Konzeptkünstler bin, würde ich gerne ein kleines Rädchen in den Maschinen hinter diesen Vorhängen sein. Frage: Wie stellst Du Dir die Entwicklung der Illustration vor? LIAM: Die Bewegung wird immer mehr verflochten werden. Es scheint wirklich unausweichlich zu sein. FRAGE: Wer ist Dein Kunstheld? LIAM: Meine Arbeit hat so gut wie keine Verbindungen zu ihr, aber Mike Mignolas konstante Ausgabe von schönen, minimalen Werken in der Comic-Welt ist überwältigend. Woher nimmst Du Deine Ideen? LIAM: Ideen bilden sich von selbst. Es ist am besten, sich abzulenken und sie weitermachen zu lassen.",0,"Nach dem Abschluss seines National Diploma in General Art & Design am Southend College of Art and Design spezialisierte sich Liam auf Illustration und machte seinen Bachelor-Abschluss am Kent Institute of Art and Design. Als er anfing, schnitt Liam zunächst jede Form sorgfältig mit einem Skalpell aus, wobei er verschiedene farbige Papiere benutzte, um ein endgültiges Stück zu fertigen. Heute hat er diesen Prozess zu einem digitalen Prozess destilliert, indem er seine Formen mit Software zeichnet und koloriert. \"Ich mag starke, satte Farben, die dazu dienen, Tiefe zu suggerieren. Insgesamt wird jedes Teil zu einem riesigen Puzzle, das ich zusammensetzen und als ein komplettes Werk betrachten kann\", sagt er.\r\nLiams Ziel ist es, mit Hilfe von Formen und Farben die Ebenen eines Objekts zu zeigen, indem er dreidimensionale Formen auf einer zweidimensionalen Oberfläche darstellt. Dabei versucht er, so wenig Formen wie möglich zu verwenden. Es wird oft mit Low-Poly Art verglichen, aber seine Absicht ist eine andere. Mit Hilfe seiner Vorstellungskraft und Adobe After Effects überschreitet Liam die Grenzen sowohl bei den Einzelbildern als auch bei den Animationen.","BBC\r\nMarvel\r\n20th Century Fox\r\nGAME\r\nCasio\r\nTransport for London\r\nQueens of the Stone Age\r\nMegadeth\r\nDavid Letterman\r\nTeam France at the Tour de France","","\u002Fmedia\u002Fmisc\u002Fprofile\u002F720\u002Fstudio_3697_636329713095958217.jpg","http:\u002F\u002Fwww.liambrazier.com\u002F","What led you to become an illustrator?\r\nIt was certainly one part people telling me I was somewhat adept at drawing at a young age, and an equal part being wholly inadequate at every other profession.\r\nDid you study illustration at college?\r\nI studied art and design at college (near my home town), specialising in illustration in the third year, before undertaking my BA degree for the same at a now non-existent university (nothing to do with me!) in Kent.\r\nWhere did you grow up?\r\nIn a town on the estuary of the Thames. With sea air in my lungs, and a chip on my shoulder.\r\nWhere do you live now and what drew you there?\r\nMy now wife and I moved to London about eight years ago, primarily to be nearer her workplace, but also to escape the confines of small-town mentality. London, and indeed many cities, have a vibrancy and life that’s hard to verbalise, but you notice it hugely when it’s absent.\r\nDescribe your studio for us.\r\nI work from home, so a succession of bits-of-front-rooms generally. My wife works from home some days a week also so we share a big desk and flip a coin on what music gets played.\r\nWho or What is your biggest inspiration?\r\nThe illustration style I’m best known for was really an organic evolution from coloured paper collage work I was doing in the 90s. In retrospect I believe taking a lot from Charles Sheeler’s paintings of buildings (which I adore), but ultimately just a student trying to produce work on an extreme budget, that had a stack of colourful paper and a scalpel. \r\nHow do you get your ideas?\r\nI am a sponge for mass media generally - I mean even I have limits but popular culture is my jam. Whether it be riffing on something well known, or an editorial piece of something entirely new I do always attempt to visualise something in a new way however.\r\nDo you collect anything?\r\nI probably have more Star Wars toys now than I did as a child of the 80s. Young me would be jealous.\r\nWhat are your interests outside of illustration?\r\nPlaying guitar kept me (relatively) sane throughout art university, that’s for sure. It’s a hobby, but one that tunes out all the otherwise busy parts of my head. I am also a self-taught animator of course. Which, while I love it, is really a natural extension to the illustration for me.\r\nTell us about a favourite project you’ve recently completed.\r\nA close friend and their partner have very recently come to the end of a long, extremely arduous journey of opening their debut restaurant. I was very honoured to be involved in a small way by providing some artwork for the dining room. \r\nWhat would be your dream job\u002Fcommission?\r\nI’m a huge Star Wars and Disney Parks fan. I think my head would comically explode if I ever saw one of my doodles when walking around Disney World or similar. I am utterly fascinated by the process of film production also. And while in no way a concept artist, I would love to be a tiny cog in those machines behind those curtains for sure.\r\nWhy is illustration such a powerful medium?\r\nIllustration, by its nature, says so much by not saying anything at all. There’s something in the process of sparking connections from viewers eyeballs to their brains within an instant, that cannot be beat.\r\nHow much of your work is hand drawn?\r\nAlthough digital these days, every image I produce is with my hands, one line at a time. Computers streamline the process, they don’t do the work for you.\r\nHow do you envisage illustration evolving?\r\nMotion becomes more and more intertwined. It seems inevitable really.\r\nWho is your art hero?\r\nMy work shares practically zero connections with it, but Mike Mignola’s constant output of beautiful, minimal pieces in the comic world is overwhelmingly astounding.\r\nDo you have a method for dealing with the feeling of having no ideas?\r\nIdeas form on their own. It’s best to distract yourself and let them get on with it.","\u002Fmedia\u002Fmisc\u002Fscrapmail_images*235\u002F720\u002Fportfolio1.jpg","\u002Fmedia\u002Fmisc\u002Fprofile\u002F720\u002Fportrait_3697_636329713630601641.jpg",366,[241,252,261,270,279,287,296,303,310,317,325,333,342,350,357,365,372,380,387,396,405,413,420,429,436,443,450,458,466,473,480,488,495,503,511,518,526,534,541,548,556,564,573,580,589,598,606,614,622,630,639,647,654,663,672,680,688,696,704,713,721,729,737,745,754,762,770,777,785,794,802,810,819],{"Galleries":242,"Rating":172,"Id":243,"ArtistName":218,"ArtistId":220,"Src":244,"FullSrc":245,"EmbedCode":233,"Animation":216,"VideoUrl":233,"Ref":245,"Width":246,"Height":247,"PortfolioUrl":222,"PortfolioName":248,"Alt":249,"HiresId":250,"StartedDate":251},[94],154335,"\u002Fhires\u002Fimage_130572.jpg","3697-154335.jpg",2000,1414,"LiamBrazier","Visual design for Netflix TUDUM – A global fan 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