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Victoria",3796,"\u002FImageScaler.aspx?info=4&src=profile&sz=170&crop=y&name=portrait_3796_637006978238935671.jpg","\u002Fillustrator\u002Fvictoria-fomina",{"GermanArtist":215,"Title":223,"TitleEn":224,"Caption":225,"CaptionEn":226,"IntroEn":227,"InterviewDe":228,"VideoId":229,"Intro":230,"Clients":231,"ImgStudio":232,"ImgFeatured":232,"ImgStudioUrl":233,"WebsiteUrl":232,"Interview":234,"ImgIv1Url":235,"ImgIv2Url":232,"Favorites":232,"ImgPortraitDe":236,"CurrentPortraitCropUrl":236,"Id":237},"Zwischen Rokoko und Pop-Art: Victoria Fomina malt charmant surreale Buchwelten voller Details.","Between Rococo and Pop Art: Victoria Fomina paints charmingly surreal book worlds teeming with detail.","Aquarell, Gouache, Acryl: Victoria Fomina erschafft charmant surreale Bildwelten.","Watercolor, gouache, acrylic: Victoria Fomina creates charmingly surreal worlds of imagery.","Naïve, folksy, but with a classical edge, Victoria Fomina’s paintings make viewers want to jump down the rabbit hole with her into a charmingly surreal world of detail and colour, crafted in the artist’s unique style. Vastly experienced, she has illustrated over 40 books for leading publishers, from classic fairy tales and novels to biographies of the great composers.\r\nClients love the dedicated and imaginative way Victoria interprets each brief. No detail is too small as she explores new visual metaphors, adding value to the projects she works on. Victoria is inspired by great artists like da Vinci, Vermeer and Klimt. She loves painting en plien air in the cherry orchard near her home.\r\n\r\n\u003Ch3>Approach\u003C\u002Fh3>\r\nWhen Victoria receives a brief she dives into the story and surrounds herself with relevant illustrations, postcards, photos, shells, flowers and more to set the perfect tone. She works with watercolour, gouache and acrylic – fluid media that allow for great spontaneity.\r\n\r\n\u003Ch3>Styles\u003C\u002Fh3>\r\nCombining the avant-garde with the traditional, Victoria varies her style depending on the content of the book she’s working on. For a classic or historical narrative she may lean towards a gothic or rococo look, or she might use Pop Art or collage techniques to generate something more contemporary.","Wie bist du dazu gekommen, Illustratorin zu werden?\r\nIch habe schon sehr früh in meiner Kindheit angefangen zu zeichnen; ich habe auf jede Oberfläche gemalt, sogar auf die Wände unserer Wohnung. Um mich davon abzuhalten, alles um mich herum zu bemalen, erfand meine Großmutter Märchen, und gemeinsam gestalteten wir unsere eigenen Bilderbücher. So begann ich, Illustrationen zu zeichnen.\r\nWo bist du aufgewachsen?\r\nIch bin in einer Kleinstadt an der Schwarzmeerküste aufgewachsen, inmitten von Weinbergen und wunderschönen Ruinen antiker griechischer und römischer Siedlungen.\r\nHast du eine Kindheitserinnerung an das Zeichnen oder die Kunst, die dir besonders am Herzen liegt?\r\nAls Kind liebte ich es, in die Meereswellen einzutauchen und nach Scherben antiker rotfiguriger Vasen zu suchen. Ich zeichnete gerne Säulen und Bögen antiker Architektur und las alte Sagen und Mythen. Bücher und Architektur sind in meinem Leben also eng miteinander verknüpft.\r\nWo lebst du heute, und was hat dich dorthin geführt?\r\nIch lebe in Russland, wenn es in Israel zu heiß ist, und in Israel, wenn es in Russland zu kalt ist. Ich liebe den Kirschgarten meines Landhauses in der kleinen, alten Stadt Swenigorod bei Moskau. Bei sonnigem Wetter zeichne ich dort oft. Auch das Rauschen der Palmenblätter und die Wellen des Mittelmeers in meinem Atelier in Israel helfen mir, mich auf meine Arbeit einzustimmen.\r\nBeschreibe uns dein Atelier.\r\nMein Moskauer Atelier befindet sich mitten im Stadtzentrum, in einem Haus aus dem 19. Jahrhundert. In der Nähe gibt es viele weitere Künstlerateliers, und abends veranstalten wir in meinem Atelier unterhaltsame Partys und kleine Ausstellungen.\r\nHast du Atelier-Haustiere?\r\nNein, aber Porthos, die Katze meines Nachbarn, kommt mich oft besuchen.\r\nBeschreibe den Ausblick aus deinem Fenster.\r\nDie Fenster meines Moskauer Ateliers gehen auf einen Innenhof mit alten Pappeln hinaus.\r\nWer oder was ist deine größte Inspiration?\r\nIch liebe den „Beethovenfries“ von Gustav Klimt in der Secession,  er bietet viele Details und eine strahlende Leere. Meine Lieblingslehrer sind Leonardo da Vinci, Vermeer, Giotto, Pieter Bruegel und Andrei Rubljow.\r\nWie kommst du auf deine Ideen?\r\nZu Beginn jedes neuen Auftrags tauche ich in den Text eines Buches ein. Ich muss aufhören, die Geräusche um mich herum wahrzunehmen. Ich versuche, mich vom Alltag abzuschotten – und baue eine Chinesische Mauer um mich herum auf (aus meinen Lieblings-Kunstbildbänden, Büchern mit meinen eigenen Illustrationen, Postkarten und Fotos, Zeichnungen, Briefen, Briefmarken, Muscheln und Trockenblumen). Diese Auswahl passe ich je nach Art des Buches an, an dem ich gerade arbeite, und dann kommen mir in der Stille die Ideen.\r\nSammelst du etwas?\r\nJa! Bücher!\r\nErzähle uns von einem Lieblingsprojekt, das du kürzlich abgeschlossen hast.\r\nVor Kurzem habe ich Illustrationen für das Magazin *Brio* angefertigt, zu einem sehr schwierigen Thema: Teenager-Mädchen und Selbstverletzung. Ich habe Bilder gezeichnet, die voller Symbole für die Befreiung von allem Dunklen und Negativen stecken, auf dem Weg hin zum Guten und zur Freiheit. Von der ersten bis zur letzten Illustration wandeln sich die dunklen Farben hin zu helleren, leuchtenderen Tönen. Ich hoffe, dass wir damit Teenager-Mädchen inspirieren können!\r\nWas wäre dein Traumauftrag?\r\nEin Auftrag, bei dem ich meine Fähigkeiten voll einbringen kann: Vorstellungskraft, fundiertes Wissen und das Zeichnen fantastischer Welten … Ob es sich um einen kurzen Zeitschriftenartikel oder ein umfangreiches Buch handelt, spielt dabei keine Rolle … Hauptsache: intelligente Auftraggeber, faire Zeitvorgaben und keine finanziellen Probleme!\r\nWas macht ein wirklich gutes Kunden-Briefing aus?\r\nEs ist wie beim Suppenkochen! Zuerst muss man festlegen, woraus die Brühe bestehen soll, sie bildet die Basis. Ein gutes Briefing verrät mir also, welche Gewürze in die Brühe gehören, damit sie schmackhaft (dank der Inspiration des Illustrators) und für die künftigen Genießer (die Leser) interessant wird.\r\nWie viel deiner Arbeit ist handgezeichnet?\r\nAlle meine Illustrationen sind ganz oder teilweise handgezeichnet.\r\nWer ist dein künstlerisches Vorbild?\r\nLeonardo da Vinci, wegen seiner Gemälde. Und wegen seiner Fähigkeit, sich schick in engen roten Hosen zu kleiden.\r\nWer ist dein musikalisches Vorbild?\r\nWolfgang Amadeus Mozart. Er war (und blieb für immer) ein Wunderkind, und die Idee, Kindern von ihm zu erzählen, hat mich inspiriert. Ich habe Illustrationen für zwei Mozart-Biografien für Kinder angefertigt. Für mich waren Töne wie „lebendige Wesen“ für Mozart: Sie leben in einer magischen goldenen Welt und fliegen zu uns herüber, um eine Weile zu bleiben.\r\nWenn du keine Illustratorin wärst, was wärst du dann?\r\nIch habe eine architektonische Ausbildung. In jedem neuen Buch erschaffe ich eine ganze Welt. Im echten Leben würde ich als Designerin arbeiten: Inneneinrichtung, Möbel, Geschirr, Stoffe! Wenn ich nicht zeichnen könnte, würde ich wahrscheinlich Köchin werden, ich koche sehr gerne und genieße es, gemeinsam mit Freunden zu schlemmen. Oder vielleicht würde ich Tauch-, Tennis- oder Skilehrerin werden. Ich habe also durchaus einige Optionen ...\r\nWürdest du auch dann noch illustrieren, wenn du ganz allein auf einer einsamen Insel gestrandet wärst?\r\nJa!\r\nWas ist der beste Rat, den du je erhalten hast?\r\n„Lerne zunächst, wie die alten Meister zu zeichnen und zu malen. Danach kannst du tun, was du willst; jeder wird dich respektieren.“ – Salvador Dalí\r\nHast du eine Methode, um mit dem Gefühl umzugehen, keine Ideen zu haben?\r\nJa! Man muss sich nur umschauen, dann tauchen Ideen auf. Einmal saß ich zum Beispiel in der U-Bahn und sah auf dem Sitz gegenüber mehrere Männer, die ich nicht kannte und die völlig unterschiedlich waren. Ihr Erscheinungsbild und ihre Haltung wirkten in dieser Kombination so komisch, dass ich sofort ins Atelier eilte und sie schnell skizzierte. Da hatte ich meine Zwerge für Schneewittchen! Und was war mit der bösen Hexe aus diesem Märchen? Die Idee dazu kam mir im Traum. Ich gehöre zu den Menschen, die jede Nacht viele farbenfrohe und lebhafte Träume haben. Manchmal sind Träume nützlich: Tagsüber hat man keine Zeit, über ein Bild nachzudenken, aber im Traum fällt die Entscheidung!\r\nHast du irgendwelche verborgenen Talente?\r\nIch besitze das Talent einer politischen Führungspersönlichkeit, allerdings ein völlig verborgenes.\r\nWie würde dich jemand beschreiben, der dich gut kennt?\r\nEine Blondine, die viel redet.\r\nWenn du in die Vergangenheit reisen könntest: Welche eine Person würdest du gerne treffen, und warum?\r\nIch würde gerne meine Großmutter treffen, weil ich sie sehr vermisse …",510,"Naiv, volkstümlich, aber mit klassischem Einschlag: Victoria Fominas Gemälde wecken bei Betrachtenden den Wunsch, ihr in den Kaninchenbau zu folgen, hinein in eine charmant surreale Welt voller Details und Farben, gestaltet in der unverwechselbaren Handschrift der Künstlerin. Victoria verfügt über große Erfahrung und hat mehr als 40 Bücher für führende Verlage illustriert, von klassischen Märchen und Romanen bis zu Biografien großer Komponisten.\r\n\r\nKunden schätzen die engagierte und fantasievolle Art, mit der Victoria jedes Briefing interpretiert. Kein Detail ist ihr zu klein, wenn sie neue visuelle Metaphern erkundet und damit einen echten Mehrwert für ihre Projekte schafft. Inspiriert wird sie von großen Künstlern wie da Vinci, Vermeer und Klimt. Besonders gern malt sie en plein air im Kirschgarten nahe ihrem Zuhause.\r\n\r\n\u003Ch3>Arbeitsweise\u003C\u002Fh3>\r\nErhält Victoria ein Briefing, taucht sie tief in die Geschichte ein und umgibt sich mit passenden Illustrationen, Postkarten, Fotos, Muscheln, Blumen und vielem mehr, um genau die richtige Stimmung zu treffen. Sie arbeitet mit Aquarell, Gouache und Acryl, fließenden Medien, die große Spontaneität ermöglichen.\r\n\r\n\u003Ch3>Stil\u003C\u002Fh3>\r\nVictoria verbindet Avantgarde mit Tradition und variiert ihren Stil je nach Inhalt des Buches, an dem sie arbeitet. Für klassische oder historische Stoffe wählt sie etwa eine gotische oder Rokoko-Anmutung, für zeitgenössischere Ergebnisse setzt sie Pop-Art- oder Collagetechniken ein.","Gallimard Jeunesse, Penguin Random House, Kingfisher, Rizzoli, Grimm Press, Samsung, JFEP, Pan Press, Vogue, Woongjin","","\u002Fmedia\u002Fmisc\u002Fprofile\u002F720\u002Fstudio_3796_637006951962608483.jpg","What led you to become an illustrator?\r\nI began to draw in very early in my childhood, I painted on every surface, even on the walls of our apartment. To stop me painting everything around, my grandmother created fairy tales, and together we made our own picture books. So I started to draw illustrations.\r\nWhere did you grow up?\r\nI grew up in a small town on the Black Sea coast, situated among vineyards and gorgeous ruins of ancient Greek and Roman settlements.\r\nDo you have a childhood memory relating to drawing\u002Fart that you hold dear?\r\nAs a child, I adored diving in the waves of the sea and looking for shards of ancient red-figured vases. I liked to draw columns and arches of antique architecture and read old legends and myths. So books and architecture are intertwined in my life.\r\nWhere do you live now and what drew you there?\r\nI live in Russia when it's too hot in Israel and I live in Israel when it's too cold in Russia. I love the cherry orchard of my country house in a small old town of Zvenigorod near Moscow. I often draw there when the weather is sunny. The rustle of palm leaves and the noise of the Mediterranean sea waves in my studio in Israel also helps me to tune in to my work.\r\nDescribe your studio for us \r\nMy Moscow studio is located in the very centre of the city, in a 19th-century house. There are many studios of other artists nearby and we have fun parties and small exhibitions in my studio in the evenings.\r\nDo you have any studio pets? \r\nNo, but my neighbour's cat Porthos often comes to visit me.\r\nDescribe the view from your window \r\nThe windows of my Moscow studio look out into the courtyard with old poplars.\r\nWho or What is your biggest inspiration?\r\nI love \"Beethovenfries\" by Gustav Klimt in Secession - there are many details  and shining emptiness. My favourite teachers - Leonardo da Vinci, Vermeer, Gotto, Peter Brueghel, Andrey Rublyov. \r\nHow do you get your ideas?\r\nAt the beginning of every new commission I dive into the text of a book. I must stop hearing surrounding sounds. I try to isolate myself from everyday life - and I build the Great Wall of China around me (with my favourite art albums, books with my own illustrations, postcards and photos, drawings, letters, postage stamps, sea shells, dried flowers). The list is specified depending on the nature of a book that I am working on and then in silence ideas come to me.\r\nDo you collect anything?\r\nYes! Books!\r\nTell us about a favourite project you’ve recently completed.\r\nI recently completed some illustrations for Brio magazine with the very tough topic of teen girls and self-harm. I drew pictures filled with symbols of liberation from everything dark and negative on the path to good and freedom. The dark colours change to lighter and brighter colours from the first to the last illustration. I hope we’ll inspire teen girls!\r\nWhat would be your dream job\u002Fcommission?\r\nThis would be a commission in which I can use my skills: imagination, erudition and  fantasy drawing… It can be a short article in a magazine or a big book, it doesn’t matter...the main thing: smart clients, good deadlines and no problems with money!\r\nWhat makes a really good client brief? \r\nIt is like to cooking a soup! It is important to establish what the broth will be – it is a basis. So a good brief tells me what spices must be in the broth so that it will be tasty (inspired by the illustrator) and interesting to future eaters  (readers).\r\nHow much of your work is hand drawn?\r\nAll my illustrations are hand-drawn in whole or in part.\r\nWho is your art hero?\r\nLeonardo da Vinci with his paintings. And his skill to dress smartly in red tight-fitting trousers.\r\nWho is your musical hero?\r\nWolfgang Amadeus Mozart. He was (and remained forever) an Ingenious Child and an idea to tell children about him inspired me. I have made illustrations for 2 Mozart's biographies for children. It seems to me that sounds were 'live beings' for Mozart, they live in the Magic Gold World and fly to us to stay for a while.\r\nIf you were not an illustrator, what would you be?\r\nI have an architectural education. I build the whole world in every new  book. And in real space I would work as a designer: interiors, furniture, tableware, fabrics! If I can't draw, probably  I would become a cook,  I like to cook food very much and to feast with my friends. Or maybe I would become a diving or tennis or skiing instructor. So I have some variants...\r\nWould you still illustrate if you were stranded alone on a desert island?\r\nYes!\r\nWhat’s the best advice you’ve ever been given? \r\n\"Begin by learning to draw and paint like the old masters. After that, you can do as you like; everyone will respect you\" by Salvador Dali\r\nDo you have a method for dealing with the feeling of having no ideas?\r\nYes! You just need to look around and ideas will appear. For example, once I was in the subway and in the opposite seat I saw several unfamiliar and completely unlike each other men. Their images and poses were so funny in combination with each other that I rushed to the studio and quickly sketched them . There were my dwarfs for Snow White! And what about the evil witch  from this fairy tale? An idea came to me in a dream. I am one of those who dreams every night with many coloured vivid dreams. Sometimes dreams are useful — you don’t have time to think over a picture during the day, but in a dream the decision comes!\r\nHave you any hidden talents? \r\nI have the talent of a political leader, completely hidden\r\nHow would someone who knows you well describe you?\r\nTalking blonde\r\nIf you could travel back in time, who would be the one person you would want to meet and why?\r\nI’d like to meet my grandmother because I really miss 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