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Carles",3905,"\u002FImageScaler.aspx?info=4&src=profile&sz=170&crop=y&name=portrait_3905_638059431915411091.jpg","\u002Fillustrator\u002Fcarles-garcia-o-dowd",{"GermanArtist":211,"Title":219,"TitleEn":220,"Caption":221,"CaptionEn":222,"IntroEn":223,"InterviewDe":224,"VideoId":225,"Intro":226,"Clients":227,"ImgStudio":228,"ImgFeatured":224,"ImgStudioUrl":229,"WebsiteUrl":224,"Interview":230,"ImgIv1Url":231,"ImgIv2Url":232,"Favorites":233,"ImgPortraitDe":234,"CurrentPortraitCropUrl":234,"Id":235},"Epische Augenweiden","Epic eye candy","Handwerkskunst trifft auf verblüffende Details und Fantasie","Craftsmanship meets astounding detail and imagination","Versatile and experienced, Carles delights his clients with his original ideas and dedication to his craft. He speaks six languages, has travelled throughout Europe and North America, and draws from an eclectic well of influences from Manga through to Ursula K Le Guin, and from cyberpunk to Roman and Mayan architecture.\r\n\r\nWhen you look at one of his illustrations, it’s impossible to look away without inspecting the intricate detail and falling into the deeper narrative and the message behind the creation. He has an MFA from the School of Visual Arts in New York and Bachelor of Fine Arts degree from the University of Barcelona.\r\n\r\n\u003Ch3>Approach\u003C\u002Fh3>\r\nEach image begins with a flurry of ideas, jotted down in an elaborate mind map of key words and doodles before the first sketches and compositions begin to form. Carles inks most of his images by hand then uses screenprinting techniques to colour his images, both of which show through in the finished aesthetic.\r\n\r\n\u003Ch3>Style\u003C\u002Fh3>\r\nBold, vivid, exciting – Carles works in a cartoony, counterculture style with a strong activist vibe running through it.\r\n\r\n\u003Ch3>Languages\u003C\u002Fh3>\r\nCarles speaks English, Spanish, Catalan, French, German and Italian.\r\n\r\n\u003Ch3>Awards\u003C\u002Fh3>\r\n2021 – Fulbright Art Studies Scholarship\r\n2007 – Rei en Jaume Comic Prize, Spain – First Prize","",879,"Carles ist vielseitig und erfahren und begeistert seine Kunden mit seinen originellen Ideen und seiner Hingabe an sein Handwerk. Er spricht sechs Sprachen, ist durch ganz Europa und Nordamerika gereist und schöpft aus einem eklektischen Fundus von Einflüssen, von Manga bis zu Ursula K. Le Guin und von Cyberpunk bis zu römischer und Maya-Architektur reichen.\r\nEr hat einen MFA-Abschluss von der School of Visual Arts in New York und einen Bachelor of Fine Arts von der Universität von Barcelona.\r\n\r\n\u003Ch3>Herangehensweise\u003C\u002Fh3>\r\nJedes Bild beginnt mit einer Fülle von Ideen, die er in einer ausgefeilten Mindmap mit Schlüsselwörtern und Kritzeleien notiert, bevor er die ersten Skizzen und Kompositionen anfertigt. Carles tuscht die meisten seiner Bilder von Hand und verwendet dann Siebdrucktechniken, um seine Bilder zu kolorieren, was sich in der fertigen Ästhetik widerspiegelt.\r\n\r\n\u003Ch3>Stil\u003C\u002Fh3>\r\nLebendig, detailliert und aufregend - Carles arbeitet in einem cartoonhaften, counterculture Stil, der von einer starken aktivistischen Aura durchzogen ist.\r\n\r\n\u003Ch3>Sprachen\u003C\u002Fh3>\r\nCarles spricht Englisch, Spanisch, Katalanisch, Französisch, Deutsch und Italienisch.\r\n\r\n\u003Ch3>Auszeichnungen\u003C\u002Fh3>\r\n2021 - Fulbright-Stipendium für Kunststudien\r\n2007 - Rei en Jaume Comic Preis, Spanien - Erster Preis","His clients include the University of the Balearic Islands, Spanish Ministry of Culture, The New Yorker and Estrella Dram.","549-studio-69e4af12-3b86-47c0-8ec2-9fb31ca03314.jpg","\u002Fmedia\u002Fmisc\u002Fdeprofile\u002F720\u002F549-studio-69e4af12-3b86-47c0-8ec2-9fb31ca03314.jpg","-What led you to become an illustrator? Did you study illustration in college (if so where)? \nDrawing has always been my passion. I naturally did it all the time for as long as I can remember. As I grew up, art, comics, animation, and video games fed my imagination and shaped my artistic brain.\nI studied Fine Arts in Barcelona, Hamburg, and Mexico. Those were years of experimentation, discovery, and expansion, where I also got into activism. After a year with the underground publisher LDC in Marseille, I devoted my twenties to activist projects and underground publishing.\nAs I approached my thirties, I decided to pursue an Illustration MFA in New York with a Fulbright scholarship, at the School of Visual Arts. It was an important step towards consolidating a professional career.\nI believe Illustration is a bridge between art practice and everyday life. The communication potential it has is what keeps me excited about it.\n\n-Where did you grow up? \nI grew up as a child of immigrants on the island of Mallorca, Spain. My Dad was from mainland Spain and my mom is Irish. I’m proud of the place I grew up in, I spent my childhood swimming in the Mediterranean Sea and hiking in the mountains and was lucky to grow up speaking three languages. As much as Mallorca is a tourist destination for its beaches, it is an incredibly diverse and culturally rich place, full of history and with a very strong identity.\n\n-Do you have a childhood memory relating to drawing\u002Fart that you hold dear?\n\tI used to have an unhealthy obsession with Lara Croft when I was around 8 years old. I made my own cartoon version of her and would fill the pages of my sketchbooks with the same drawing of her. Over and over. \n\n-Where do you live now and what drew you there? \n\tMy home base is currently in Brooklyn, New York. A craving for stepping up my game and pursuing a more professional career brought me here. After trying hard to settle in my homeland, I realized I needed to be in a big cosmopolitan city. I love it here because of all the diversity, cultures, and people from all over, as well as the great professional opportunities it offers. It is also an incredibly exciting place, where your whole life takes a U-turn every three months.\n\n\n-Describe your studio for us \n \tAs much as I try to be a regular human with a proper workspace, life is always pushing me around and I end up having to fit my studio into a suitcase and Improvise wherever I go. In the last year, I have worked from my home in Brooklyn, shared a studio with friends in Mallorca, and squatted two living rooms in Mexico. At the moment, I am working from an ad-hoc studio in my Brooklyn apartment while I get a new proper space ready in the Dumbo neighborhood.\n\n\nWho or What is your biggest inspiration? \n\n\tAnswering this question would take over too much space!\n\nHow do you get your ideas? \n\n\tMind mapping is my go-to method to get ideas flowing. It works especially well when I’m in transit, like in a train or airplane.\n\nWhat do you listen to when you work? What do you listen to when you’re illustrating?\nI have a weakness for youtube video essays about politics and pop culture. But when it comes to music, I usually tend to listen to mild music with a beat. It usually works for mechanical parts of the creative process like inking and coloring. Lately, I’ve been listening to Hania Rani, the Polish pianist. I also listen to anime and video game soundtracks, as well as indie, pop, rock, and electronic music. \nSpotify Playlist? Sure, how do I share it?\n\n\n\n\n\n\n\n\nWhat are your interests outside of illustration?  \n\n\tCooking, traveling, biking, and exploring the city… I am a very social person, so I really enjoy being around other people and sharing time with them. Activism was big part of me, love discussing philosophy and politics. I like being active physically…. best thing is Hiking and being out in nature.\n\nWhat is the first record you bought? \n\n\tWhite Pony by the Deftones\n\n\nWhat was your favorite assignment ever?\n\n\tThe poster for Viñarrock festival in Spain. It was an absolute gift, an opportunity to go wild. I populated a whole festival with yoyos, my original characters that represent humanity. I was able to dress them up as rockers, punks, hippies and ravers and put them in the craziest situations. Furthermore, it was an incredible feeling to see my work printed on such a large scale, covering huge stages where some of the most legendary rock bands in Spain played.\n\nWhat would be your dream commission?\n\n\tThe Glastonbury or Coachella festival posters, an album cover for Bad Bunny, a colorful campaign for apparel brands like Nike or Adidas, sky is the limite really. One thing I have always thought about is how much I would love to join a scientific research boat and craft a narrative project about ecosystems or climate change. Maybe an organization like National Geographic coils be interested, lol\n\nWhat is the best use of illustration you have ever seen?\n\nThe work of the Beehive Design Collective, in Maine… collectively drawn educational tools to bring communities together, promote discussion and inspire taking action to build a better world.\n\nWhat makes a good client brief?\n\n\tClarity, examples of your previous world that fit into the vision, space to add some personal mojo… but above all, clarity on what the client wants, both in technical terms and content. I love it when there is a research part, something anthropological beyond just graphics.\n\r\nHow much of your work is hand drawn? \n\n85% I would say… the only digital part is color. I occasionally draw directly on the Ipad, but nothing compares to the feeling of inking with a dip pen on nice thick cotton paper\n\nWho is your art hero? \n\tGrayson Perry\n\nWho is your design hero? \n\tPaula Scherr\n\nWho is your music hero? \n\tBjörk, MIA and Grimes… but Bjork is the absolute queen\n\nIf you were not an illustrator, what would you be? \n\n\tAn actor in a Pedro Almodóvar movie or a marine biologist in a research boat.\n\nWhat’s the best advice you’ve ever been given? \n\tFind your own audience… my art has never exactly fitted in one specific box, and at times it’s been something very confusing to grow with. A friend said this to me out drinking one night when I was 23 or so… It really resonated with me at the time and made me re-think my approach to my practice. Since then, my commitment has always been to making the best art I can and letting the rest happen, instead of making art for a specific profile or for the social media algorithm. In the long run, I can more and more see how much this makes sense and how it has been the key to developing a genuine and fulfilling career.\n\nIf you could visit anywhere in the world, where would you go? \n\n\tChernobyl, if radiation wasn’t a threat. I've always wanted to do a bike-trip through the whole of Japan… like a long trip with no hurry. Oh, and a city I’ve been very geeked out about lately is ChongQin, in China. All my chinese friends tell me I would love it because it’s like my drawings.\nTraveling and living abroad has been a huge part of my life. It helped me grow, make friends, expand, learn languages… priceless experiences that shaped who I am. However, the global tourism industry is slowly turning experiences into commodities and homogenizing every place in the world into an instagram-friendly theme park. I usually like going somewhere where I have a good friend I can stay with or a project to work on.\n\n\nHave you any hidden talents? \n\tJuggling is something I did for a long time as a teenager. At the time, I was dreaming of being a circus performer.\n\n\nIf you could live anywhere, where would it be? \n\n\tI’m happy to be In New York at the moment… but I;ve fantasized about living for a while in so many places… Mexico City,  Tokio, Shanghai, Hong Kong\n\nIf you could travel back in time, who would be the one person you would want to meet and why? \n\n\tProbably Jesus Christ, to see what he actually did in his lifetime and how that correlates with what is written about him now. \n\nWhat themes or content in the world inspires you?\n\n\tInternational politics, philosophy, religion, anthropology,  mythologies, pop culture, movies, videogames\n\nHow do you keep on trend and up to date in our quickly changing industry?\n\tThrough youtube and keeping a healthy relationship with my illustrator friends in NY and Europe\n\nWhat is your go-to comfort food?\n\nPasta, the greatest invention of all time. Cheap, easy to prepare, nourishing, and versatile\n\nWhat movie can you watch over and over?\n\n\tGhost in the Shell… the original anime, not the recent real-life actor disaster! I consider this movie to be perfect, I often listen to the Soundtrack while I draw. And Pink Flamingos, the best piece of media the US has gifted to the world. The dialogues are hilarious and make me lough every time to this day\n\n\nWhat is the last show you binged?\n\tWhite Lotus… it kept me awake while finishing a big commission\n\nWhat was the last exhibition you saw and loved?\n\t“Estamos Bien”, the 20\u002F21 triennial exhibition at the Museo del Barrio, in Harlem. It was all Latinx art and every piece was extremely political, playful, and with lots to say. I hadn’t been so stimulated by an Art show in ages and got me and my friend talking for hours afterwards.\n\nWhat was the last concert you went to?\n\nAyax y Prok, two twin rappers from Granada. It was part of the Viñarrock festival in Spain, the event I did all the graphics for.\n\nWhat is your favourite book?\n\tThe Dispossessed, by the legendary Ursula K le Guin. I wish everyone in the world read it at school. \n\nWhat do you do when you have creative block?\n\tI go for a bike ride or I cook\n\nWhat is your go-to karaoke song?\n\n\t“Common People” and “Disco 2000” by Pulp. And if I have a singing partner to do Freddy Mercury, “Under pressure” by David Bowie\n\nWhich languages can you speak?\n\nSpanish, Catalan, English, German, Italian, French, and a tiny bit of Mandarin\n\nWhat is your favourite quote?\n\n\t-”In a thousand years, there will be no men and women, just wankers” MArk Renton, Trainspotting\n\nIs there any random thing you consider yourself an expert on?\n\n\tOral storytelling and public speaking\n\n","\u002Fmedia\u002Fmisc\u002Fdeprofile\u002F720\u002F549-imgiv1-6265072a-750c-44da-abe5-b57e0480bf6d.jpg","\u002Fmedia\u002Fmisc\u002Fdeprofile\u002F720\u002F549-imgiv2-a4332631-e61c-4216-856a-3ed992b80937.jpg","{\"playlistTitle\":\"\",\"playlistUrl\":\"\",\"metaTitle\":\"\",\"metaDescription\":\"\"}","\u002Fmedia\u002Fmisc\u002Fprofile\u002F720\u002Fportrait_3905_638059431915411091.jpg",549,[237,247,256,264,272,279,286,293,300,307,316,325,332,339,348,356,365,373,381,390,399,408,416,425,434,441,448,455,462,469,477,484,492,499,506,513,520,529,537,544,551,558,565,572,580,588,596,604,611,618,627,635,643,651,659,667,676,684,692,700,707,715,724,733,742,751,759,768,777,786,795,804,812,821,830,839,847,856,865,874,883,892,901,910,919,928,937,946,955,962,969,976,985,993,1002,1010,1018,1027,1035,1043,1051,1060,1068,1076,1083,1091,1098,1105,1114,1122,1130,1139,1147,1155,1163,1171,1180,1189,1196,1205,1214,1222,1231,1240,1248],{"Galleries":238,"Rating":150,"Id":239,"ArtistName":213,"ArtistId":215,"Src":240,"FullSrc":241,"EmbedCode":224,"Animation":211,"VideoUrl":224,"Ref":241,"Width":242,"Height":242,"PortfolioUrl":217,"PortfolioName":243,"Alt":244,"HiresId":245,"StartedDate":246},[150],137510,"\u002Fhires\u002Fimage_113780.jpg","3905-137510.jpg",2000,"CarlesGarciaODowd","Illustration inspired by Rosalia's Motomami album by Carles Garcia O'Dowd",113780,"0001-01-01T00:00:00",{"Galleries":248,"Rating":150,"Id":249,"ArtistName":213,"ArtistId":215,"Src":250,"FullSrc":251,"EmbedCode":224,"Animation":211,"VideoUrl":224,"Ref":251,"Width":252,"Height":253,"PortfolioUrl":217,"PortfolioName":243,"Alt":254,"HiresId":255,"StartedDate":246},[],140343,"\u002Fhires\u002Fimage_116539.jpg","3905-140343.jpg",3543,3544,"Underwater scene with fish, sharks, and coral reefs by Carles Garcia O'Dowd",116539,{"Galleries":257,"Rating":150,"Id":258,"ArtistName":213,"ArtistId":215,"Src":259,"FullSrc":260,"EmbedCode":224,"Animation":211,"VideoUrl":224,"Ref":260,"Width":261,"Height":261,"PortfolioUrl":217,"PortfolioName":243,"Alt":262,"HiresId":263,"StartedDate":246},[93],140348,"\u002Fhires\u002Fimage_116544.jpg","3905-140348.jpg",13138,"Colorful underwater coral reef with fish and marine creatures by Carles Garcia O'Dowd",116544,{"Galleries":265,"Rating":150,"Id":266,"ArtistName":213,"ArtistId":215,"Src":267,"FullSrc":268,"EmbedCode":224,"Animation":211,"VideoUrl":224,"Ref":268,"Width":269,"Height":269,"PortfolioUrl":217,"PortfolioName":243,"Alt":270,"HiresId":271,"StartedDate":246},[71,93,150],170058,"\u002Fhires\u002Fimage_146366.jpg","3905-170058.jpg",0,"Isometric castle structure with blue, yellow, and purple blocks by Carles Garcia O'Dowd",146366,{"Galleries":273,"Rating":150,"Id":274,"ArtistName":213,"ArtistId":215,"Src":275,"FullSrc":276,"EmbedCode":224,"Animation":211,"VideoUrl":224,"Ref":276,"Width":269,"Height":269,"PortfolioUrl":217,"PortfolioName":243,"Alt":277,"HiresId":278,"StartedDate":246},[93],170059,"\u002Fhires\u002Fimage_146367.jpg","3905-170059.jpg","Intricate lobster and clam artwork on yellow background by Carles Garcia O'Dowd",146367,{"Galleries":280,"Rating":150,"Id":281,"ArtistName":213,"ArtistId":215,"Src":282,"FullSrc":283,"EmbedCode":224,"Animation":211,"VideoUrl":224,"Ref":283,"Width":269,"Height":269,"PortfolioUrl":217,"PortfolioName":243,"Alt":284,"HiresId":285,"StartedDate":246},[34],170060,"\u002Fhires\u002Fimage_146368.jpg","3905-170060.jpg","Colorful market scene with diverse characters and animals by Carles Garcia O'Dowd",146368,{"Galleries":287,"Rating":150,"Id":288,"ArtistName":213,"ArtistId":215,"Src":289,"FullSrc":290,"EmbedCode":224,"Animation":211,"VideoUrl":224,"Ref":290,"Width":269,"Height":269,"PortfolioUrl":217,"PortfolioName":243,"Alt":291,"HiresId":292,"StartedDate":246},[93,34],170061,"\u002Fhires\u002Fimage_146369.jpg","3905-170061.jpg","Intricate whimsical building with Goxxos and Mihad signs and many small characters by Carles Garcia 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