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Frances",4069,"\u002FImageScaler.aspx?info=3&src=deprofile&sz=170&crop=y&name=658-portraitsquare-e09c8ffd-7a6e-4b49-a8f7-681836b85b0f.png","\u002Fillustrator\u002Ffrances-camen",{"GermanArtist":219,"Title":220,"TitleEn":221,"Caption":222,"CaptionEn":223,"IntroEn":224,"InterviewDe":225,"VideoId":226,"Intro":227,"Clients":228,"ImgStudio":229,"ImgFeatured":230,"ImgStudioUrl":231,"WebsiteUrl":230,"Interview":232,"ImgIv1Url":233,"ImgIv2Url":234,"Favorites":230,"ImgPortraitDe":235,"CurrentPortraitCropUrl":235,"Id":236},true,"Natur und Tiere in ihren schönsten aquarellierten Farben!","Nature and animals in their most beautiful watercolor hues!","Schönheit bis ins kleinste Detail","Beauty down to the smallest detail","Frances not only depicts her subjects realistically, but also manages to convey them in a way that makes them understandable and brings knowledge to life. Through intensive research and an in-depth exploration of scientific topics, she creates authentic illustrations that are both factually accurate and full of personality. Frances \r\nprefers to work with watercolors in a traditional, analog style, which creates natural textures, dynamic color gradients, and a unique sense of vitality. She uses digital post-processing strategically to refine details and enhance lighting effects without losing the illustration’s original character. ","Wie ist es dazu gekommen, dass Du Illustratorin werden wolltest?\r\nMir war schon früh klar, dass ich einen kreativen Beruf ausüben möchte. Freie Kunst war mir aber zu frei – sowohl im Schaffensprozess als auch im beruflichen Sinne. Illustration stellt für mich die perfekte Alternative dar.\r\n\r\nHast Du Illustration studiert?\r\nIch habe den Bachelor of Arts in Münster erworben.\r\n\r\nMit welcher Technik arbeitest Du?\r\nIch liebe es traditionell zu malen und zu zeichnen. Ob Aquarell oder Buntstift, Hauptsache ich kann das Papier spüren. Der letzte Feinschliff meiner Illustrationen erfolgt jedoch digital. Beide Formen, ob digital oder analog, haben ihre Stärken und Schwächen. Ich denke, die Kombination aus beiden Techniken lässt die Illustration am Ende strahlen. \r\n\r\nWo bist Du aufgewachsen?\r\nIm Sauerland.\r\n\r\nHast Du eine Kindheitserinnerung, die mit Zeichnen\u002FKunst zu tun hat und die Dir wichtig ist?\r\nAn meinem Einschulungstag wurde ich von der lokalen Presse interviewt. Im Interview wurde ich gefragt, was ich später mal werden möchte: Künstlerin. Meine Oma hat den Zeitungsausschnitt aufbewahrt und ihn mir eingerahmt zu meinem Bachelor geschenkt. \r\n\r\nWo lebst Du jetzt und was hat Dich dorthin gezogen?\r\nIch lebe in Münster, NRW. Das Studium hat mich hierhin gezogen. \r\n\r\nHast Du ein Haustier im Studio?\r\nUnsere Nachbarskatze Bonnie „klopft“ gerne an, um ein paar Streicheleinheiten und Leckerchen zu entlocken. Sie hat mich dahingehend erfolgreich konditioniert. \r\n\r\nBeschreibe den Blick aus Deinem Fenster.\r\nIch blicke auf eine riesige gotische Kirche, die einen Turmfalken beherbergt. Ich schaue ihm gerne dabei zu, wie er seine Runden dreht. \r\n\r\nSammelst Du etwas?\r\nIch verwahre alle Postkarten, die mich im Laufe meines Lebens erreichen.\r\n\r\nWas sind Deine Interessen außerhalb der Illustration?\r\nIch liebe die Gegenwart von Tieren, weswegen ich häufiger Hunde bei mir zur Betreuung aufnehme. Darüber hinaus gehe ich einmal in der Woche mit zwei Eseln spazieren. \r\n\r\nWas macht ein gutes Kundenbriefing aus?\r\nDefinitiv Kommunikation auf Augenhöhe. Beide Parteien müssen das Gefühl gegenseitiger Wertschätzung erfahren. Auf diese Weise erzielt man auf beiden Seiten die besten Ergebnisse.\r\n\r\nWer ist Dein Lieblings-Musiker?\r\nSiouxsie and the Banshees\r\n\r\nWenn Du keine Illustratorin wärest, was würdest Du sein?\r\nMöbelrestauratorin \r\n\r\nWenn Du irgendeinen Ort auf der Welt besuchen könntest, wohin würdest Du gehen?\r\nAn einen Ort, der vom Menschen unberührt blieb. Wo die Natur noch Natur sein kann und darf.  \r\n\r\nWenn Du in die Vergangenheit reisen könntest, in welche Zeit würdest Du zurückgehen?\r\nIn meine Kindheitszeit.\r\n\r\nWenn Du irgendwo leben könntest, wo würde das sein?\r\nIn Dänemark oder England.\r\nWelchen Film könntest Du immer und immer wieder sehen?\r\nBack to the Future I\r\n\r\nWas hörst Du während der Arbeit?\r\nDie bunte Auswahl der ZEIT-Podcasts \r\n\r\nWelche Sprachen sprichst Du?\r\nDeutsch\u002F Englisch \r\n",1062,"Frances stellt die Themen nicht nur realistisch dar, sondern schafft es, sie so zu vermitteln, dass sie verständlich werden und Wissen lebendig wird. Durch intensive Recherche und eine tiefgehende Auseinandersetzung mit wissenschaftlichen Themen entstehen authentische Illustrationen, die sowohl sachlich präzise als auch voller Persönlichkeit sind. Frances \r\narbeitet am liebsten mit Aquarellfarben im traditionellen, analogen Stil, wodurch natürliche Texturen, dynamische Farbverläufe und eine einzigartige Lebendigkeit entstehen. Die digitale Nachbearbeitung setzt sie gezielt ein, um Details zu verfeinern und Lichteffekte zu verstärken, ohne dabei den ursprünglichen Charakter der Illustration zu verlieren. ","LWL-Naturkundemuseum Münster, Doberg Museum","658-studio-cc8afaab-4b8b-4633-89ae-a0eaf63fd266.jpg","","\u002Fmedia\u002Fmisc\u002Fdeprofile\u002F720\u002F658-studio-cc8afaab-4b8b-4633-89ae-a0eaf63fd266.jpg","How did you come to decide you wanted to become an illustrator?\r\nI knew from an early age that I wanted to pursue a creative career. But fine art was too open-ended for me—both in terms of the creative process and professionally. For me, illustration is the perfect alternative.\r\n\r\nDid you study illustration?\r\nI earned my Bachelor of Arts in Münster.\r\n\r\nWhat techniques do you use?\r\nI love painting and drawing traditionally. Whether it’s watercolor or colored pencils, the main thing is that I can feel the paper. However, I add the final touches to my illustrations digitally. Both forms—digital and analog—have their strengths and weaknesses. I think the combination of both techniques is what makes the illustration shine in the end. \r\n\r\nWhere did you grow up?\r\nIn the Sauerland region.\r\n\r\nDo you have a childhood memory related to drawing or art that’s important to you?\r\nOn my first day of school, I was interviewed by the local press. In the interview, I was asked what I wanted to be when I grew up: an artist. My grandma kept the newspaper clipping and framed it as a gift for me when I graduated with my bachelor’s degree. \r\n\r\nWhere do you live now, and what drew you there?\r\nI live in Münster, North Rhine-Westphalia. My studies brought me here. \r\n\r\nDo you have a pet in your studio?\r\nOur neighbor’s cat, Bonnie, likes to “knock” on the window to get some pets and treats. She’s successfully trained me to do that. \r\nDescribe the view from your window.\r\nI look out at a huge Gothic church that’s home to a kestrel. I enjoy watching it circle around. \r\n\r\nDo you collect anything?\r\nI keep all the postcards I’ve received throughout my life.\r\n\r\nWhat are your interests outside of illustration?\r\nI love being around animals, which is why I often take in dogs to look after. I also go for a walk with two donkeys once a week. \r\n\r\nWhat makes for a good client briefing?\r\nDefinitely communication on equal footing. Both parties need to feel mutual respect. That’s how you achieve the best results for everyone involved.\r\n\r\nWho is your favorite musician?\r\nSiouxsie and the Banshees\r\n\r\nIf you weren’t an illustrator, what would you be?\r\nA furniture restorer \r\n\r\nIf you could visit any place in the world, where would you go?\r\nSomewhere untouched by humans. 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