Who or What is your biggest inspiration?My biggest inspiration is the quiet beauty in everyday life—details people often overlook, like a city’s architecture or how light shifts during the day. I love Wim Wenders’ films for their sense of place and philosophy, especially Wings of Desire, which captures Berlin's spirit so vividly. This attention to depth and humanity is something I try to bring into my illustrations.What makes a good client brief?A good client brief is clear yet open to creative input, striking a balance between vision and flexibility. It should outline goals and audience, but also leave room for an illustrator’s style and ideas to shine through. The best briefs create a partnership where both sides can bring something new to the table.What are your interests outside of illustration?Outside of illustrating, I love exploring art galleries and adding to my jazz collection. I’m drawn to both classic jazz and experimental pieces, as they offer a mix of structure and spontaneity that I find creatively inspiring. Traveling also gives me fresh perspectives on design, from architecture to everyday objects.What is the first record you bought?The first record I bought was Kind of Blue by Miles Davis, a timeless classic that I still return to. Jazz, especially Miles, has a rhythm and mood that enhances my creativity, flowing into my work. That record opened my ears to a genre where spontaneity meets precision, much like art.How do you envisage illustration evolving?I see illustration becoming more immersive and interactive, especially as tech evolves. With AR and VR, illustration will bridge physical and digital spaces, creating whole experiences for audiences. But at its core, illustration will always be about storytelling and giving people new ways to see the world.